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[1] Canto: a long subsection of a long narrative poem such as an epic. [1] End rhyme (aka tail rhyme): a rhyme occurring in the terminating word or syllable of one line in a poem with that of another line, as opposed to internal rhyme. End-stopping line
The adversary of the hero or protagonist of a drama or other literary work; e.g. Iago is the antagonist [24] in William Shakespeare's Othello. [24] antanaclasis antecedent A word or phrase referred to by any relative pronoun. [9] antepenult anthology anticlimax antihero antimasque anti-romance antimetabole antinovel antistrophe antithesis ...
Polysyndeton (from Ancient Greek πολύ poly "many" and συνδετόν syndeton "bound together with") [1] is the deliberate insertion of conjunctions into a sentence for the purpose of "slow[ing] up the rhythm of the prose" so as to produce "an impressively solemn note."
Poetic rhythm is the flow of words within each meter and stanza to produce a rhythmic effect while emphasising specific parts of the poem. Repetition– Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion.
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In poetry cadence describes the rhythmic pacing of language to a resolution [2] and was a new idea in 1915 [3] used to describe the subtle rise and fall in the natural flow and pause of ordinary speech [4] where the strong and weak beats of speech fall into a natural order [5] restoring the audible quality to poetry as a spoken art. [6]
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Free verse is an open form of poetry which does not use a prescribed or regular meter or rhyme [1] and tends to follow the rhythm of natural or irregular speech. Free verse encompasses a large range of poetic form, and the distinction between free verse and other forms (such as prose) is often ambiguous. [2] [3]