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Broadsides circulated with titles like "The Union 'Dixie'" or "The New Dixie, the True 'Dixie' for Northern Singers." Northern "Dixies" disagreed with the Southerners over the institution of slavery and this dispute, at the center of the divisiveness and destructiveness of the American Civil War, played out in the culture of American folk music ...
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The song was published in Virginia with the subtitle "Our national Confederate anthem" with the image of a Confederate soldier carrying the Stainless Banner with "God Save The South" on it. [ 5 ] [ 6 ] Its main rival for the unofficial title was " Dixie ", was popular among Confederate soldiers and citizens as a marching and parade song.
During the events leading up to the American Civil War, both the North and the South generated a number of songs to stir up patriotic sentiments, such as "Battle Hymn of the Republic" and "Dixie". However, after the Civil War, the sentiments of most patriotic songs were geared to rebuilding and consolidating the United States.
The song's lyrics follow the minstrel show scenario of the freed slave longing to return to his master in the South; it was the last time Emmett would use the term "Dixie" in a song. [2] Its tune simply repeated Emmett's earlier walkaround "I Ain't Got Time to Tarry" from 1858.
Songs of the Civil War is a compilation album, released in 1991 by Columbia, that presents an assortment of contemporary performers recording period pieces and traditional songs, most of which date back to the American Civil War. [3]
The song immediately became popular across the country and was claimed by both Northern and Southern troops during the Civil War. Dixie's lyrics caused many to accuse Emmett of southern sympathies, despite his family's long history of opposing slavery.
The medley uses three 19th-century songs: "Dixie" — a popular folk song about the southern United States. "The Battle Hymn of the Republic" — a marching hymn of the Union Army during the American Civil War; [1] and "All My Trials" — a Bahamian lullaby related to African American spirituals and widely used by folk music revivalists