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The collection is divided into several different types of songs including the following: kyo, bwe, thachin gan, the oldest repertoires; pat pyo, royal court music; lwan chin, songs of longing; lay dway than gat; myin gin, music that makes horses dance; nat chin, songs used to worship the nat, Burmese spirits; yodaya, music introduced from ...
May La Than Zin (Burmese: မေလသံစဉ်; MLCTS: me la san. cany, also known as May Melody; born 23 May 2003) is a Burmese singer best known for her acoustic cover songs. [ 1 ] [ 2 ] Early life
Freemake Audio Converter is an ad-supported audio conversion utility developed by Ellora Assets Corporation. The program is used to convert across different audio formats, merge audio files, and extract audio from video files. Freemake Audio Converter 1.0.0 does not support CD burning. [2]
An audio conversion app (also known as an audio converter) transcodes one audio file format into another; for example, from FLAC into MP3. It may allow selection of encoding parameters for each of the output file to optimize its quality and size.
The song is a copy thachin of "Dust in the Wind" by the American band Kansas. [7] The song's title is variably translated as "We Won't Be Satisfied Until the End of the World," [8] "The World Will Not End," [1] "The World Is Unforgiving," [9] and "Until the End of the World". [7] Naing Myanmar wrote the song when he was 30 years old.
Copy thachin, or simply "copy music" is a genre of music in Myanmar that originates from the early 1980s. It merges the melody and instrumentals of international songs with Burmese vocals. Proponents of copy thachin argue that the style is separate from cover songs due to it having unique vocal arrangements and lyrics.
May Thet Htar Swe (Burmese: မေသက်ထားဆွေ; born 10 January 2003 [1]) is a traditional Burmese classical, country, and dhamma singer. [2] She began her career as a child, and is known both for her mastery of songs from the Burmese classical tradition and her musical versatility, which spans several genres.
In 2013, he began a project named Beauty of Tradition in which a hundred of Myanmar Traditional songs were researched, organized and rerecorded. Then he cooperated with the Japanese Music Production Company, Airplane Label, and released three Myanmar traditional music albums in Japan during 2014 and 2015, under the name Beauty of Tradition. [23]
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