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In the standard guitar-tuning, one major-third interval is interjected amid four perfect-fourth intervals. Standard tuning (listen) Among alternative tunings for guitar, each augmented-fourths tuning is a regular tuning in which the musical intervals between successive open-string notes are each augmented fourths. [1]
All fourths tuning – B'-E-A-d-g-c'-f' Expands the major third between the second and third strings, extending range a half step higher. Russian Tuning – D-G-B-D-g-b-d 6-string Open G tuning with additional 5th B-string. Was a standard tuning for classic 7-string guitars in Russia in the 19th to 20th centuries.
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. Help ... Augmented-fourths tuning. Major-thirds tuning.
"The augmented-fourth interval is the only interval whose inverse is the same as itself. The augmented-fourths tuning is the only tuning (other than the 'trivial' tuning C–C–C–C–C–C) for which all chords-forms remain unchanged when the strings are reversed. Thus the augmented-fourths tuning is its own 'lefty' tuning." [23]
Download as PDF; Printable version; In other projects ... Augmented-fourths tuning; E. English guitar; M. Major thirds tuning; Minor-thirds tuning; O. Open G tuning;
Guitar chords are dramatically simplified by the class of alternative tunings called regular tunings. In each regular tuning, the musical intervals are the same for each pair of consecutive strings. Regular tunings include major-thirds (M3), all-fourths, augmented-fourths, and all-fifths tunings. For each regular tuning, chord patterns may be ...
[2] [3] The standard tuning's irregular major-third is replaced by a perfect fourth in all-fourths tuning, which has the open notes E2-A2-D3-G3-C4-F4. [ 1 ] [ 4 ] The note layouts on the fretboard of a guitar tuned in perfect 4ths, with arrows that show where the same note continues on a higher-pitched string.
The extremes of the meantone systems encountered in historical practice are the Pythagorean tuning, where the whole tone corresponds to 9:8, i.e. (3:2) 2 / 2 , the mean of the major third (3:2) 4 / 4 , and the fifth (3:2) is not tempered; and the 1 ⁄ 3-comma meantone, where the fifth is tempered to the extent that three ...