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Dialogue reviewed the book as "a courageous addition to the many retellings of Book of Mormon stories that dot the landscape of Mormon literature." [ 8 ] Rebecca Bateman, in a review on the Association of Mormon Letters blog, critiqued it for issues with characterization and for anachronisms in the text.
A 21st-century artistic representation of the Liahona. In the Book of Mormon, the Liahona (/ ˌ l iː ə ˈ h oʊ n ə /) [1] is described as a brass ball with two spindles, one of which directs where Lehi and his companions should travel after they leave Jerusalem at the beginning of the narrative.
Laban (/ ˈ l eɪ b ə n /) [1] is a figure in the First Book of Nephi, near the start of the Book of Mormon, a scripture of the Latter Day Saint movement. Although he only makes a brief appearance in the Book of Mormon, his brass plates play an important role when they are taken by Laman and Nephi (often referred to as the "sons of Lehi") and are used by the Nephites.
This dramatization, produced for LDS audiences, is based on a story (by Elder Marion D. Hanks) that teaches love and concern for others. This takes place inside an LDS chapel during sacrament testimony meeting. Starring Gordon Jump. [3] The Trophy Case: 1979 26 min. Randy, a teenager, tries to gain his father's approval by excelling in sports.
In the 1950s there was a resistance from LDS Church leadership to having artistic portrayals of Jesus. For example, when Arnold Friberg created his series of Book of Mormon paintings, his initial portrayal of Christ visiting the Americas was rejected by LDS Church leadership. Friberg's final portrayal shows Christ at a distance, descending far ...
Left side of tree of life mosaic at the LDS chapel in Newport Beach, California. The story of the vision is well known among members of the LDS Church and is widely cited. The "rod of iron" specifically is mentioned often referring to the scriptures or the words of the Lord, in order to convey the importance of heeding God's teachings. [10]
The text that Smith produced describes a story of Abraham's early life, including a vision of the cosmos. The Book of Abraham was canonized in 1880 by the LDS Church as part of the Pearl of Great Price. [3] Thus, it forms a doctrinal foundation for the LDS Church and Mormon fundamentalist denominations of the Latter Day Saint movement.
One of the few exceptions that strays from this category of Romantic art is a painting by William Armitage (1817–1890) of London. The painting depicts LDS founder Joseph Smith preaching to the Native Americans, and was commissioned by the church for the Salt Lake Temple. The LDS Church places great importance on the power and use of art. [2]