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A drawing of twin mountains (Indonesian: pemandangan gunung kembar, "twin mountain view", or pemandangan gunung legendaris, "legendary mountain view") is a drawing pattern commonly made by Indonesian kindergarten and primary school students. The drawing is often produced by students who are asked by their teacher to draw natural features. [1]
Chuah Thean Teng was born in 1914 in Fujian, China; Chuah's father traded sundries while his mother made shoes for women with bound feet.The family emigrated to Penang, Malaysia when Chuah was 14; Chuah returned to Fujian to pursue an education at the Amoy Art School (later the Xiamen Academy of Fine Arts), but returned to Malaya (now Malaysia) at the age of 17. [1]
Spring Fresco, Minoan painting from Akrotiri, 1600–1500 BCE Zhan Ziqian, Strolling About in Spring, a very early Chinese landscape, c. 600. The earliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included.
A kampong (this term is in Za'aba Spelling, kampung in both modern Malay and Indonesian) is a term for a type of village in Brunei, Indonesia, Malaysia and Singapore and a "dock" in Cambodia. The term applies to traditional villages, especially of indigenous peoples.
Majlis Perundingan Kampung (MPK) Kiudang created a tourism industry capable of generating the economy and prosperity of the community, tried to preserve this sector starting in 2011 through eco-tourism service products One Village One Product (1K1P) by highlighting the Taman Rekreasi Wasai Bedanu (Bedanu Waterfall Recreational Park) as the main visit to Kampong Kiudang.
Shan shui painting first began to develop in the 5th century, [1] in the Liu Song dynasty. [2] It was later characterized by a group of landscape painters such as Zhang Zeduan, [3] most of them already famous, who produced large-scale landscape paintings. These landscape paintings usually centered on mountains.
Khalil Ibrahim (1934 – 15 May 2018) was a Malaysian artist. He is known for his drawing, watercolour, and acrylic.His styles ranges from realist to abstract.. Ibrahim's artistic career has spanned over 50 years.
Ariffin, A. Najib; "A Disappearing Heritage: The Malaysian Kampung House", in Heritage Asia (Kuala Lumpur: Mediahub), September 2005, 6–8 -Passages in the above entry appear with permission of the Author/Publisher; Effendy, Tenas; "Rumah, An Ode to the Malay House" (George Town, Penang: Areca Books), 2014.