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Mother Journeys originated in a special issue of Hurricane Alice: A Feminist Review focused on gender and children's reading. [2] Amy Sheldon, the editor of that issue, conceived the idea for a book about feminism and motherhood, topics which at that time had not often been considered together.
Jurnee Diana Smollett was born in New York City, [2] to Janet Harris and Joel Smollett. Her father was Ashkenazi Jewish, with ancestors from Russia and Poland, [3] [4] [5] while her mother is African American. [6] [7] [8] She is the fourth of six siblings, all performers: [9] one sister, Jazz Smollett, [10] and four brothers, Jussie, JoJo, Jake ...
Janet Mock (born March 10, 1983) [3] is an American writer, television producer, and transgender rights activist. Her debut book, the memoir Redefining Realness, became a New York Times bestseller. She is a contributing editor for Marie Claire and a former staff editor of People magazine's website. [4] [5] [6] [7]
Jurnee Smollett is looking back on her tumultuous few years with a positive perspective. In an interview with The New York Times, the 35-year-old actress reflected on her hurdles over the past few ...
Jurnee Smollett went with a daring red carpet look for the premiere of her new film “Spiderhead.” The actress attended the New York screening of the Netflix movie Wednesday night wearing a ...
Redefining Realness: My Path to Womanhood, Identity, Love & So Much More is a memoir and the debut book by Janet Mock, an American writer and transgender activist. It was published on 1 February 2014 by Atria Books. The book has been praised by Melissa Harris-Perry, bell hooks, Laverne Cox, and Barbara Smith. [1]
On Friday, Sept. 27, Smollett's sophomore directorial effort, The Lost Holliday, hit select theaters across the U.S. In the movie, the actor also stars as Jason, a character who becomes a single ...
For the first 30 years, the weekly and later monthly issues included an unusual amount of music content, including musical scores by women composers. Judith Barger has produced a catalogue and discussed how the material reflected a gradual change in the perception of women's music making, from amateur accomplishment towards more professional roles.