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The killing off of a character is a device in fiction, whereby a character dies, but the story continues.The term, frequently applied to television, film, video game, literature, anime, manga and chronological series, often denotes an untimely or unexpected death motivated by factors beyond the storyline.
In Hebrews 2:14 the devil "holds the power of death." [38] Since therefore the children share in flesh and blood, he himself likewise partook of the same things, that through death he might destroy the one who has the power of death, that is, the devil, and deliver all those who through fear of death were subject to lifelong slavery.
Strangers in Death: Reginald Thomas Anders (pre-book) fractured skull: shoved in the shower and slammed head into Italian marble Ava Anders Ned Custer (pre-book) slit throat and castration: knife Thomas Aurelius Anders: strangulation: tranquilized then strangled by rope: Suzanne Custer Salvation in Death: Nick Soto (pre-book) multiple stab ...
Uriah Heep is a fictional character created by Charles Dickens in his 1850 novel David Copperfield. Heep is the primary antagonist during the second part of the novel. His character is notable for his sycophancy .
In a simple catastrophe, there is no change in the state of the main characters, nor any discovery or unravelling; the plot being only a mere passage out of agitation, to quiet and repose. This catastrophe is rather accommodated to the nature of the epic poem, than of the tragedy. [1]
Cosey was a charismatic hotel owner, [1] and the people around him were affected by his life — even long after his death. The main characters are Christine, his granddaughter and Heed, his widow. The two are the same age and used to be friends but some forty years after Cosey's death they are sworn enemies, [1] and yet share his mansion ...
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Violence in literature refers to the recurrent use of violence as a storytelling motif in classic and contemporary literature, both fiction and non-fiction. [1] Depending on the nature of the narrative, violence can be represented either through graphic descriptions or psychological and emotional suffering.