Search results
Results from the WOW.Com Content Network
Sing It Now: Songs of Faith & Hope is the thirty-first studio album by American country music singer Reba McEntire.It was released on February 3, 2017, by Rockin' R Records, Nash Icon, Big Machine Records and Capitol Christian Music Group.
"Back to God" is a song performed by American singer, Reba McEntire. It was released as the second single from her 2017 album, Sing It Now: Songs of Faith & Hope, on January 20, 2017. [2] A duet version with Lauren Daigle was released on April 2, 2017. [3] The song became McEntire's first Hot Christian Songs No. 1, and Daigle's second.
"God and My Girlfriends" is a song originally recorded by American country artist Reba McEntire. The track was composed by Patricia Conroy, Lisa Hentrich and Marcia Ramirez. It was one of three singles spawned from McEntire's 2017 Christian album titled Sing It Now: Songs of Faith & Hope.
Sing It Now: Songs of Faith & Hope: Reba McEntire: 2 400 March 11, 2017: Worthy of Your Name: Passion: 1 401 March 18, 2017: The Shack: Music from and Inspired by the Motion Picture: Soundtrack 2 re: April 1, 2017: Sing It Now: Songs of Faith & Hope: Reba McEntire: 1 402 April 8, 2017: There Is a Cloud: Elevation Worship: 1 403 April 15, 2017 ...
Hymns and Faith, [11] and later on her 2015 compilation album Be Still and Know... Hymns & Faith. Reba McEntire, Trisha Yearwood, and Kelly Clarkson recorded the song for Reba's Sing It Now: Songs of Faith & Hope (2017) + Carrie Underwood recorded the song for her album of Gospel covers, My Savior (2021).
Like mother, like daughters. We already know Faith Hill has passed on her angelic singing skills to her three daughters, but seeing them all perform together is on a whole other level.. In a new ...
Five-time Grammy-winning country singer Faith Hill appeared Tuesday on The Late Show With Stephen Colbert, where she shared the horrifying moment she forgot the lyrics to "The Star-Spangled Banner."
Youth Services International confronted a potentially expensive situation. It was early 2004, only three months into the private prison company’s $9.5 million contract to run Thompson Academy, a juvenile prison in Florida, and already the facility had become a scene of documented violence and neglect.