Search results
Results from the WOW.Com Content Network
The death poem is a genre of poetry that developed in the literary traditions of the Sinosphere—most prominently in Japan as well as certain periods of Chinese history, Joseon Korea, and Vietnam. They tend to offer a reflection on death—both in general and concerning the imminent death of the author—that is often coupled with a meaningful ...
The death of a noble lady and the decay of her body is a series of kusōzu paintings in watercolor, produced in Japan around the 18th century. The subject of the paintings is thought to be Ono no Komachi. [18] There are nine paintings, including a pre-death portrait, and a final painting of a memorial structure: [18] [19]
Edition of the Kokin Wakashū anthology of classic Japanese poetry with wood-carved cover, 18th century. Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa ...
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
Many of his plays are based on Japanese folktales, but he also created works set in contemporary Japan that deal with social issues. The drama of Kinoshita does not deal with elements of fantasy or poetry, but rather allows the audience to think deeply about death, guilt, and judgment.
Seppuku (切腹, lit. ' cutting [the] belly '), also called harakiri (腹切り, lit. ' abdomen/belly cutting ', a native Japanese kun reading), is a form of Japanese ritualistic suicide by disembowelment.
Kakinomoto no Hitomaro (柿本 人麻呂 or 柿本 人麿; c. 653–655 – c. 707–710) was a Japanese waka poet and aristocrat of the late Asuka period.He was the most prominent of the poets included in the Man'yōshū, the oldest waka anthology, but apart from what can be gleaned from hints in the Man'yōshū, the details of his life are largely uncertain.
A replica of a Man'yōshū poem No. 8, by Nukata no Ōkimi. The Man'yōshū (万葉集, pronounced [maɰ̃joꜜːɕɯː]; literally "Collection of Ten Thousand Leaves") [a] [1] is the oldest extant collection of Japanese waka (poetry in Old Japanese or Classical Japanese), [b] compiled sometime after AD 759 during the Nara period.