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The work was part of a forty-six drawing series executed at a time when Boccioni was exploring dynamism in his paintings. According to Ester Coen, Boccioni's primary aim in these paintings was the "exploration of spatial solutions". A painting such as Dynamism of a Human Body (1913) departs from Boccioni's more usual style into three dimensions ...
A man stumbles into the scene and grabs the woman. The eponymous “Techno Viking”, a muscular bare-chested man so-named because he is wearing a Mjölnir pendant and has a blond braid and a beard, enters the scene by grabbing that man by the arms and the camera follows, showing the confrontation. The Techno Viking pushes the man back in the ...
The line was launched in Japan in 1983, and licensed in 1985 for the American market as M.U.S.C.L.E. (reflecting Kinnikuman's English title of Muscle Man). M.U.S.C.L.E. used a harder rubber than Kinkeshi; its U.S. sequel, Ultimate Muscle , had a small release of about twenty Kinkeshi, though a larger run of figures using a plastic softer than M ...
Écorché by Leonardo da Vinci.. An écorché (French pronunciation:) is a figure drawn, painted, or sculpted showing the muscles of the body without skin, normally as a figure study for another work or as an exercise for a student artist.
Charles Atlas (born Angelo Siciliano; October 30, 1892 – December 24, 1972) [2] was an American bodybuilder best remembered as the developer of a bodybuilding method and its associated exercise program which spawned a landmark advertising campaign featuring his name and likeness; it has been described as one of the longest-lasting and most memorable ad campaigns of all time.
This is a drawing of a muscular man without defined abdominal muscles, which provides a typical example of a gachimuchi body type. Gay manga is typically categorized based on the body shape of the characters depicted; common designations include gatchiri ( ガッチリ , "muscular") , gachimuchi ( ガチムチ , "muscle-curvy" or "muscle-chubby ...
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At the center of the painting is the "Xerox face" of the title: Basquiat applied a photocopied sheet of his own drawing to create the figure's face. Basquiat first experimented with Xerox in 1979, when he and his friend Jennifer Stein created a small series of mixed media collages which they photocopied onto postcards that they then sold on the ...