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A quatrain is any four-line stanza or poem. There are 15 possible rhyme sequences for a four-line poem; common rhyme schemes for these include AAAA, AABB, ABAB, ABBA, and ABCB. [citation needed] "The Raven" stanza: ABCBBB, or AA,B,CC,CB,B,B when accounting for internal rhyme, as used by Edgar Allan Poe in his poem "The Raven" Rhyme royal: ABABBCC
As much as we may want—or need—to write a love poem, it’s often difficult to find a language that adequately expresses the way we feel. For one thing, it’s hard to strike the right tone.
Villanelle–A poem consisting of two rhymes within five 3-line stanzas followed by a quatrain. The villanelle conveys a pleasant impression of simple spontaneity, as in Edwin Arlington Robinson’s 'The House on the Hill'. Shakespeare Sonnet 18; Sonnet–A fourteen-line poem in iambic pentameter with a prescribed rhyme scheme. Traditionally ...
Broken rhyme is a type of enjambement producing a rhyme by dividing a word at the line break of a poem to make a rhyme with the end word of another line. Cross rhyme matches a sound or sounds at the end of a line with the same sound or sounds in the middle of the following (or preceding) line. [8] A rhyme scheme is the pattern of rhyming lines ...
Rhyming couplets are one of the simplest rhyme schemes in poetry. Because the rhyme comes so quickly, it tends to call attention to itself. Good rhyming couplets tend to "explode" as both the rhyme and the idea come to a quick close in two lines. Here are some examples of rhyming couplets where the sense as well as the sound "rhymes":
However, what remains easily accessible from this period are, basically, two poems, one by Marc-Antoine Girard, Sieur de Saint-Amant and another by Jacques de Ranchin. Saint-Amant's poem is a triolet about writing a triolet and Ranchin's, also known as the "king of triolets", is about falling in love on the first of May. [9]
English-language haiku is an example of an unrhymed tercet poem. A poetic triplet is a tercet in which all three lines follow the same rhyme, AAA; triplets are rather rare; they are more customarily used sparingly in verse of heroic couplets or other couplet verse, to add extraordinary emphasis. [2]
Geoffrey Chaucer only wrote one poem in tail rhyme, the tale of Sir Thopas in the Canterbury Tales. This is the first tale told by Chaucer's fictionalised version of himself within the frame narrative of the Tales, and it is received poorly by the other pilgrims. Due to its content, its tail rhyme form, and the negative reaction of the ...