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  2. Dominant seventh chord - Wikipedia

    en.wikipedia.org/wiki/Dominant_seventh_chord

    In music theory, a dominant seventh chord, or major minor seventh chord, [a] is a seventh chord composed of a root, major third, perfect fifth, and minor seventh; thus it is a major triad together with a minor seventh. It is often denoted by the letter name of the chord root and a superscript "7". [3]

  3. Minor major seventh chord - Wikipedia

    en.wikipedia.org/wiki/Minor_major_seventh_chord

    Minor major seventh chord. A minor major seventh chord, or minor/major seventh chord (also known as the Hitchcock Chord) is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, ♭ 3, 5, and 7). It can be viewed as a minor triad with an additional major seventh.

  4. Seventh chord - Wikipedia

    en.wikipedia.org/wiki/Seventh_chord

    The harmonic seventh chord is a dominant seventh chord formed by a major triad plus a harmonic seventh interval. The harmonic seventh interval is a minor seventh tuned in the 7:4 pitch ratio, one of the possible "just ratios" defined for this interval in just intonation (slightly below the width of a minor seventh as tuned in equal temperament ...

  5. Dominant (music) - Wikipedia

    en.wikipedia.org/wiki/Dominant_(music)

    In music theory, the dominant triad is a major chord, symbolized by the Roman numeral "V" in the major scale. In the natural minor scale, the triad is a minor chord, denoted by "v". However, in a minor key, the seventh scale degree is often raised by a half step (♭ to ♮), creating a major chord.

  6. Chord notation - Wikipedia

    en.wikipedia.org/wiki/Chord_notation

    This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord. In a jazz context, players have the freedom to add sevenths, ninths, and higher extensions to the chord. In some pop, rock and folk genres, triads are generally performed unless specified in ...

  7. Secondary chord - Wikipedia

    en.wikipedia.org/wiki/Secondary_chord

    A secondary dominant (also applied dominant, artificial dominant, or borrowed dominant) is a major triad or dominant seventh chord built and set to resolve to a scale degree other than the tonic. The dominant (seventh) of the dominant (written as V 7 /V or V 7 of V) is the most frequently encountered. [5]

  8. Half-diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Half-diminished_seventh_chord

    The terms and symbols for this chord break expectations that derive from the usual system of chord nomenclature. Normally a symbol like "Bdim" indicates a diminished triad and "B 7" indicates a major triad plus a minor seventh. Thus, one would expect the term "Bdim 7" to indicate a diminished triad plus a minor seventh.

  9. Minor seventh chord - Wikipedia

    en.wikipedia.org/wiki/Minor_seventh_chord

    In music, a minor seventh chord is a seventh chord composed of a root note, a minor third, a perfect fifth, and a minor seventh (1, ♭ 3, 5, ♭ 7). In other words, one could think of it as a minor triad with a minor seventh attached to it. [2] For example, the minor seventh chord built on A, commonly written as A− 7, has pitches A-C-E-G: