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Bernhard Gothic is a family of geometric sans serif typeface designed by Lucian Bernhard in 1929 for the American Type Founders (ATF). Five variations by Bernhard were introduced over two years: Five variations by Bernhard were introduced over two years:
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
Benton Sans is a digital typeface family begun by Tobias Frere-Jones in 1995, and expanded by Cyrus Highsmith of Font Bureau.It is based on the sans-serif typefaces designed for American Type Founders by Morris Fuller Benton around the beginning of the twentieth century in the industrial or grotesque style.
ITC Avant Garde Gothic is a geometric sans serif font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, and then he and Tom Carnase , a partner in Lubalin's design firm, worked together to transform the idea into a full-fledged typeface.
The design of League Gothic was based on Alternate Gothic, a typeface originally designed by Morris Fuller Benton in 1903. Both No. 1 and No. 2 are available, each in a single semi-bold weight. [13] League Gothic was also used as the basis for Warsaw Gothic, an expanded font family with some altered glyphs produced in 2015 by Robert Jablonski. [14]
Fonts which support a wide range of Unicode scripts and Unicode symbols are sometimes referred to as "pan-Unicode fonts", although as the maximum number of glyphs that can be defined in a TrueType font is restricted to 65,535, it is not possible for a single font to provide individual glyphs for all defined Unicode characters (154,998 ...
The family includes three weights and three widths. [1] Like many gothic fonts of the nineteenth and early twentieth centuries, Trade Gothic is more irregular than many other sans-serif families that came later, especially later ones like Helvetica and Univers. This variety is often popular with designers who feel that it creates a more ...
Globe Gothic (c. 1900), a refinement of Taylor Gothic, designed by ATF vice-president Joseph W. Phinney in 1897 for Charles H. Taylor for the exclusive use of the Boston Globe. [1] Globe Gothic Condensed + Extra Condensed + Extended (c. 1900) Globe Gothic Bold (1907), credited to Benton, though Frederic Goudy claims Phinney commissioned him to ...
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