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This double reed instrument, called suona in Chinese, was brought to Havana in the 19th century by Chinese immigrants. It was being used to play traditional Chinese music in the Chinese theaters in Havana's Chinatown, when an Afro-Cuban comparsa named “Los Chinos Buenos” adapted it to use in place of an inspirador ("lead singer").
He was born and raised in Havana, Cuba. He is a Cuban Conguero performing classic Cuban Rumbas, Afro-Cuban folkloric and religious music. He is a Santería priest. He came to the United States of America from Havana in 1998. He plays the Batá drum, conga, cajón, timbale, and bongo drums, among other percussion instruments. Pedrito learned his ...
A politically charged hip-hop song has become the backdrop for the civil unrest that has rocked Cuba this summer. The... View Article The post Afro-Cuban music group’s song is the backdrop of ...
After the Cuban Revolution separated Cuba from the U.S., son, mambo and rumba, along with other forms of Afro-Cuban music contributed to the development of salsa music, initially in New York. [36] The mass popularization of son music led to an increased valorization of Afro-Cuban street culture and of the artists who created it. It also opened ...
Chinese Language and Arts School (Escuela de la Lengua y Artes China) opened in 1993 and has grown since then, helping Chinese Cubans to strengthen their knowledge of the Chinese language. Today, Chinese Cubans tend to speak Mandarin , Cantonese , and Hakka in addition to Spanish and English and may speak in a mixture of Chinese and Spanish.
Juan Pablo Torres Morell (August 17, 1946 – April 17, 2005) was a Cuban trombonist, bandleader, arranger and producer. He was the director of Algo Nuevo and a member of Irakere, two of the leading exponents of songo and Afro-Cuban jazz in the 1970s and 1980s.
The ministry statement published Saturday did not name the person killed but Cuban independent media and the youth’s father, Yosvany Batista Gómez, identified him as Zidan Batista Álvarez, who ...
The 3-2/2-3 clave concept and terminology was developed in New York City during the 1940s by Bauza while he was the music director of Machito and his Afro-Cubans. [10] Bauzá was a master at moving the song from one side of clave to the other seamlessly without breaking the claves rhythmic design.