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The Urdu ghazal is a literary form of the ghazal-poetry unique to the Indian subcontinent, written in the Urdu standard of the Hindostani language. It is commonly asserted that the ghazal spread to South Asia from the influence of Sufi mystics in the Delhi Sultanate .
Qamar Jalalvi is regarded as one of the best classical Urdu Ghazal poets. His ghazal poetry has a unique simplicity of expression. A poet from the age of eight, Qamar Jalalvi's writing had become quite popular by the time he was in his 20s. He lived a life of financial hardship, working for many years at bicycle repair shops.
Most of Shakir's ghazalyaat contain five to ten couplets, often - though not always - inter-related. Sometimes, two consecutive couplets may differ greatly in meaning and context [For example, in one of her works, the couplet 'That girl, like her home, perhaps/ Fell victim to the flood' is immediately followed by 'I see light when I think of you/ Perhaps remembrance has become the moon'].
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Zehra Nigah (Urdu: زہرا نگاہ) is a prominent Urdu poet and scriptwriter from Pakistan, affectionately known as 'Zehra Apa'. [3] [4] [2] As one of the pioneers of Urdu poetry by women, Nigah was one of the first female poets to gain recognition in a male-dominated field.
Nazm is a significant genre of Urdu and Sindhi poetry; the other one is known as ghazal. Nazm is significantly written by controlling one’s thoughts and feelings, which are constructively discussed as well as developed and finally, concluded, according to the poetic laws.
The Shahr Ashob (Persian: شهر آشوب; Shahr-i Ashob (lit. 'The city's misfortune' [1]), sometimes spelled Shahar-i Ashūb or Shahrashub, is a genre that becomes prominent in Urdu poetry in South Asia with its roots in classical Persian and Urdu poetic lamentations.
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