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Pages in category "Compositions in G-sharp minor" The following 11 pages are in this category, out of 11 total. This list may not reflect recent changes. ...
A-flat minor, its enharmonic, has seven flats, whereas G-sharp minor only has five sharps; thus G-sharp minor is sometimes used as the parallel minor for A-flat major. (The same enharmonic situation occurs with the keys of D-flat major and C-sharp minor, and in some cases, with the keys of G-flat major and F-sharp minor).
"La campanella" is a revision of an earlier version from 1838, the Études d'exécution transcendente d'après Paganini, S. 140.Its melody comes from the final movement of Niccolò Paganini's Violin Concerto No. 2 in B minor, where the tune was reinforced by a "little handbell."
Mazurka in G-sharp minor, Op. 33, No. 1, the opening mazurka of the set, has a marking of Mesto. This mazurka has an emotional melody, accompanied in the left hand with a waltz pattern. This mazurka has a total of 48 bars, the dynamic marking forte only appeared twice. It should be played with a deep and rounded sound, instead of a sharp and ...
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
E-flat major E minor A minor G minor D minor D minor for orchestra: Cycle of 6 symphonic poems: Orchestral: 1:115: 123: 1879: Venkovanka: The Country Woman: G major: for orchestra
Alexander Nikolayevich Scriabin. This is a list of compositions by Alexander Scriabin.. The list is categorized by Genre, with Piano works organized by style of piece. The list can be sorted by Opus number and WoO number (mostly early works published posthumously) and Anh number (mostly fragmentary works), by clicking on the "Opus" header of the table.
The G-sharp minor prelude (and the fugue) from the same set ends with a Picardy third, on a G-sharp major chord. G-sharp major is tonicised briefly in several of Frédéric Chopin's nocturnes in C-sharp minor. A section in the second movement of Chopin's Piano Concerto No. 1 is in G-sharp