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In 1966 he completed an internship at the Accademia di Belle Arti di Firenze and then in 1967 founded a Sculpture School in Saint-Jean-Port-Joli and became its last director (1971-1986). [4] In 1992, he co-founded Est-Nord-Est, an international artist residence. [1] In 1996, he received a master's degree in visual arts from Laval University. [2]
Both Bird in Space and Sleeping Muse I are sculptures of animate objects; however, unlike ones from Ancient Greece or Rome, or those from the High Renaissance period, these works of art are more abstract in style. Bird in Space is a series from the 1920s. One of these, constructed in 1925 using wood, stone, and marble (Richler 178) stands ...
His totem-like sculptures of everyday people continue the European tradition of wooden sculpture and reference folk art and medieval and classical Greek sculpture. As a response to the abstract, minimalist and conceptual approaches of the Hamburg School, Balkenhol decided to concentrate on an everyday persona, instead of an idol or hero.
Richard Serra (November 2, 1938 – March 26, 2024) was an American artist known for his large-scale abstract sculptures made for site-specific landscape, urban, and architectural settings, and whose work has been primarily associated with Postminimalism. Described as "one of his era's greatest sculptors", Serra became notable for emphasizing ...
Standing Form XX, 1958. At St. Ives, Brian Wall's work progressed from paintings to reliefs to sculptures. Wall's early sculptures consisted of geometrical wooden constructions, painted in bright primary colors, reminiscent of the work of Piet Mondrian [18] and influenced by the Dutch abstract art movement "de Stijl".
Morrison acknowledged a variety of influences in his art, including cubism, surrealism, and abstract expressionism. In his drawings and paintings, Morrison used abstract forms to represent organic figures. Morrison commonly used landscapes and mosaic patterns in his paintings. For his wood collages, Morrison would gather driftwood along shorelines.
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