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Mano (Tagalog: pagmamano) is an "honouring-gesture" used in Filipino culture performed as a sign of respect to elders and as a way of requesting a blessing from the elder. Similar to hand-kissing , the person giving the greeting bows towards the hand of the elder and presses their forehead on the elder's hand.
José Tanig Joya [1] (June 3, 1931 – May 11, 1995) was a Filipino abstract artist and a National Artist of the Philippines awardee. [2] Joya was a printmaker, painter, mixed media artist, and former dean of the University of the Philippines' College of Fine Arts. He pioneered abstract expressionism in the Philippines.
Aside from the rise of American dances and European style ballet, modern dance had also started taking form during this period in the vaudeville circuit. Ruth St. Denis and Ted Shawn, two founders of modern dance visited the Manila in 1926. Other modern dancers also performed in the country which led to some Filipinos training under this dance ...
Miming is an art form in which the performer uses gestures to convey a story; charades is a game of gestures. Mimed gestures might generally be used to refer to an action in context, for example turning a pretend crank to ask someone to lower a car side window (or for modern power windows, pointing down or miming pressing a button).
The Philippines has hosted the Philippine International Pyromusical Competition, the world's largest pyrotechnic competition (previously known as the World Pyro Olympics) since 2010. [197] Lacquerware is a less-common art form. Filipino researchers are studying the possibility of turning coconut oil into lacquer.
Vicente Silva Manansala (January 22, 1910 – August 22, 1981) was a Filipino cubist painter and illustrator. One of the first Abstractionists on the Philippine art scene, Manansala is also credited with bridging the gap between the city and the suburbs, between the rural and cosmopolitan ways of life.
The culture of the Philippines is characterized by cultural and ethnic diversity. [1] Although the multiple ethnic groups of the Philippine archipelago have only recently established a shared Filipino national identity, [2] their cultures were all shaped by the geography and history of the region, [3] [4] and by centuries of interaction with neighboring cultures, and colonial powers.
Learned non-verbal cues require a community or culture for their reinforcement. For example, table manners are not innate capabilities upon birth. Dress code is a non-verbal cue that must be established by society. Hand symbols, whose interpretation can vary from culture to culture, are not innate nonverbal cues.