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A Japanese sword authentication paper (origami) from 1702 that Hon'ami Kōchū certified a tantō made by Yukimitsu in the 14th century as authentic. The Hon'ami clan, which was an authority of appraisal of Japanese swords, rated Japanese swords from these artistic points of view.
The swords of Masamune possess a reputation for superior beauty and quality, remarkable in a period where the steel necessary for swords was often impure. He is considered to have brought to perfection the art of " nie " ( 錵 , martensitic crystals embedded in pearlite matrix , thought to resemble stars in the night sky) .
The steel used in sword production is known as tamahagane (玉鋼:たまはがね), or "jewel steel" (tama – ball or jewel, hagane – steel). Tamahagane is produced from iron sand, a source of iron ore, and mainly used to make samurai swords, such as the katana, and some tools. Diagram of a tatara and bellows
Originally, they would carry the sword with the blade turned down. This was a more comfortable way for the armored samurai to carry his very long sword or to draw while mounted. The bulk of the samurai armor made it difficult to draw the sword from any other place on his body. When unarmored, samurai would carry their sword with the blade ...
In spite of their original reputation as fine blades favored by the shōgun Tokugawa Ieyasu and his vassals, the katana swords made by Muramasa gradually became a symbol of the anti-Tokugawa movement. Furthermore, in lore and popular culture from the 18th century, the swords have been regarded as yōtō (妖刀, "wicked katana").
Tachi long swords were worn edge down suspended by two cords or chains from the waist belt. The cords were attached to two eyelets on the scabbard. [148] Decorative sword mountings of the kazari-tachi type carried on the tradition of ancient straight Chinese style tachi and were used by nobles at court ceremonies until the Muromachi period ...
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