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The difficulties of working while wearing an ao dai link the dress to frailty and innocence, she wrote. [11] Vietnamese writers who favor the use of the áo dài as a school uniform cite the inconvenience of wearing it as an advantage, a way of teaching students feminine behavior such as modesty, caution, and a refined manner. [28]
This all eventually led to the birth of a distinctive Vietnamese style of clothing, including the birth of the unofficial national dress of Vietnam, the áo dài. For daily wear in Vietnam, Vietnamese people just wear normal everyday clothing (đồ Tây; Western clothing), but the common name for everyday clothing is quần áo thường ngày ...
The áo gấm (Vietnamese: [ʔǎːw ɣə̌m], Hán-Nôm: 襖錦) is a modified áo dài made with thicker fabric, and is a traditional brocade tunic for men. [1] It is more elaborate than the formal "áo the", a similar men's tunic.
A typical wedding gown for both the bride and groom. Nowadays, some gowns take on Western influences, such as a long train in the back or wearing colors besides the typical blue and red palette. Traditional clothes of Vietnam have always been diverse depending on the area and occasion, so wedding clothes varied in style and trend throughout ...
The Tailor [1] (Vietnamese: Cô Ba Sài Gòn) is a 2017 Vietnamese 35mm drama film directed by Trần Bửu Lộc and Nguyễn Lê Phương Khanh. It is loosely based on a script by A Type Machine, and starrs Ninh Dương Lan Ngọc, Hong Van, Diem My, Ngo Thanh Van, Diem My 9x, S.T (365 The Band), Oanh Kieu, Tung Leo, Kaylee, Hai Trieu, Thanh Tu and Thuy Vy.
Indeed, much of Vietnamese poetry has been dedicated to the beauty of women in their vermilion bodices (yếm đào). While the bottom of the yếm are v-shaped, there were different styles for the top of the garment which covered the neck, the most common two variations being the rounded neck or the v-shaped neck style.
The Vietnamese civilians (man and woman) in Lê dynasty wearing áo giao lĩnh. In the 17th and 18th century, the áo giao lĩnh worn by men was an ankle-level gown which could be used as part of a formal attire; it was composed of four-panel of fabric and was loose-fitting and featured a jiaoling youren collar, loose sleeves, and side slits.
Mrs. Đặng Thị Nhu (Đề Thám's third wife) and her daughter in Áo tứ thân costume 2 girls working in the fields in Áo tứ thân costumesThe áo tứ thân was the dress of peasant women, which explains why it was often made with plain fabric in dark colors, except when it was to be worn at special occasions such as festivals or weddings.
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