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With the help of sly Pandarus, Criseyde's uncle, Troilus and Criseyde begin to exchange letters. Eventually, Pandarus develops a plan to urge the two into bed together; Troilus swoons when he thinks the plan is going amiss, but Pandarus and Criseyde revive him. Pandarus leaves, and Troilus and Criseyde spend a night of bliss together.
Dulcarnon or dulcarnoun is a term used in the Middle English poem Troilus and Criseyde by Geoffrey Chaucer, in a line given to Criseyde: "at dulcarnoun, right at my wittes ende". It became proverbial. The etymology is from an Arabic phrase dhū-al-qarnayn meaning "two-horned", and the term was in use in medieval Latin. [1] [2]
Coghill, N. (ed.) (1971: pp. xi–xxvi) "Introduction" in: Geoffrey Chaucer, Troilus and Criseyde, London: Penguin ISBN 0-14-044239-1. Discusses Chaucer, his sources and key themes in the Troilus. The main body of the book is a translation into modern English by Coghill. Foakes, R. A. (ed.) (1987) Troilus and Cressida (The New Penguin Shakespeare.)
In Geoffrey Chaucer’s poem Troilus and Criseyde (1370), Pandarus plays the same role, though Chaucer's Pandarus is Criseyde's uncle, not her cousin. [7] Chaucer's Pandarus is of special interest because he is constructed as an expert rhetorician, who uses dozens of proverbs and proverbial sayings to bring the lovers Troilus and Criseyde together.
Along with many of the major figures of the Trojan War, Thersites was a character in Shakespeare's Troilus and Cressida (1602) in which he is described as "a deformed and scurrilous Grecian" and portrayed as a comic servant, in the tradition of the Shakespearean fool, but unusually given to abusive remarks to all he encounters.
The other is his Testament of Cresseid, a tale of moral and psychological subtlety in a tragic mode founded upon the literary conceit of "completing" Criseyde's story-arc from Chaucer's Troilus and Criseyde. Emily Wingfield has explored its significance in relation to the deployment of the Trojan Legend in political discourse between England ...
"Il Filostrato" is a poem by the Italian writer Giovanni Boccaccio, and the inspiration for Geoffrey Chaucer's Troilus and Criseyde [1] and, through Chaucer, the Shakespeare play Troilus and Cressida. It is itself loosely based on Le Roman de Troie, by 12th-century poet Benoît de Sainte-Maure. Il Filostrato
Diomede and Cressida, perhaps. The Testament of Cresseid is a narrative poem of 616 lines in Middle Scots, written by the 15th-century Scottish makar Robert Henryson. It is his best known poem. [1] It imagines a tragic fate for Cressida in the medieval story of Troilus and Criseyde which was left untold in Geoffrey Chaucer's version.