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Throughout most of the 1950s, the magazine published the following charts to measure a song's popularity: Most Played by Jockeys – ranked the most played songs on United States radio stations, as reported by radio disc jockeys and radio stations. Most Played in Jukeboxes – ranked the most played songs in jukeboxes across the United States.
The 1950s brings to mind poodle skirts, sock hops, and drive-in movies. I Love Lucy, The Honeymooners, and Leave It to Beaver were popular television shows, and Marilyn Monroe, Frank Sinatra, and ...
During the 1950s European popular music give way to the influence of American forms of music including jazz, swing and traditional pop, mediated through film and records. The significant change of the mid-1950s was the impact of American rock and roll , which provided a new model for performance and recording, based on a youth market.
Esther Phillips, then billed as Little Esther, was the featured vocalist on three number ones for the band led by Johnny Otis.. In 1950, Billboard magazine published two charts covering the top-performing songs in the United States in rhythm and blues (R&B) and related African-American-oriented music genres: Best Selling Retail Rhythm & Blues Records and Most Played Juke Box Rhythm & Blues ...
Bing Crosby had three songs on the year-end top 30. The Ames Brothers had three songs on the year-end top 30. This is a list of Billboard magazine's top popular songs of 1950 according to retail sales.
Frankie Laine (at piano) and Patti Page, c. 1950 Harry Belafonte, 1954 This is a partial list of notable active and inactive bands and musicians of the 1950s . Musicians
In 1950, the following four charts were produced: Best Sellers in Stores – ranked the biggest selling singles in retail stores, as reported by merchants surveyed throughout the country. Most Played by Jockeys – ranked the most played songs on United States radio stations, as reported by radio disc jockeys and radio stations.
Popular music, or "classic pop," dominated the charts for the first half of the 1950s. Vocal-driven classic pop replaced Big Band/Swing at the end of World War II, although it often used orchestras to back the vocalists. 1940s style Crooners vied with a new generation of big voiced singers, many drawing on Italian bel canto traditions.