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Ethnomusicology (from Greek ἔθνος ethnos ‘nation’ and μουσική mousike ‘music’) is the multidisciplinary study of music in its cultural context, investigating social, cognitive, biological, comparative, and other dimensions involved other than sound.
Environmental themes in music have ranged from an appreciation of nature and wilderness and advocating for its protection, to environmental degradation, pollution and climate change. The earliest popular music exploring environmentalist topics can be traced back to the 19th century and early folk, gospel and blues music.
The World Forum for Acoustic Ecology is an international collective of people and organizations who study the world's soundscapes. [6] There are eight groups that make up the World Forum for Acoustic Ecology: the Australian Forum for Acoustic Ecology, the Canadian Association for Acoustic Ecology, the Finnish Society for Acoustic Ecology, the Hellenic Society for Acoustic Ecology, the Japanese ...
Among the goals of ethnology have been the reconstruction of human history, and the formulation of cultural invariants, such as the incest taboo and culture change, and the formulation of generalizations about "human nature", a concept which has been criticized since the 19th century by various philosophers (Hegel, Marx, structuralism, etc.).
Ethology is a branch of zoology that studies the behaviour of non-human animals. It has its scientific roots in the work of Charles Darwin and of American and German ornithologists of the late 19th and early 20th century, including Charles O. Whitman , Oskar Heinroth , and Wallace Craig .
Sociomusicology (from Latin: socius, "companion"; from Old French musique; and the suffix -ology, "the study of", from Old Greek λόγος, lógos : "discourse"), also called music sociology or the sociology of music, refers to both an academic subfield of sociology that is concerned with music (often in combination with other arts), as well as a subfield of musicology that focuses on social ...
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Zoomusicology (/ ˌ z oʊ ə m j uː z ɪ ˈ k ɒ l ə dʒ i /) is the study of the musical aspects of sound and communication as produced and perceived by animals. [1] It is a field of musicology and zoology, and is a type of zoosemiotics.