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"Slow Down" is the 11th single by English R&B band Loose Ends from their third studio album, Zagora. It was released in September 1986 by MCA Records and produced by Loose Ends' longtime collaborator Nick Martinelli. The single was the group's second and last number one on the Soul Singles chart. [2]
Zagora is the third studio album by British R&B band Loose Ends, released in 1986 by MCA Records. The album spawned the hits " Slow Down ", " Stay a Little While, Child " and two others, all of which were hits on the U.S. R&B charts, with "Slow Down" reaching number one on the chart.
The name was given because the sound slowly decreases in frequency over about seven minutes. It was recorded using an autonomous hydrophone array. [8] The sound has been picked up several times each year since 1997. [9] One of the hypotheses on the origin of the sound is moving ice in Antarctica. Sound spectrograms of vibrations caused by ...
Slowing down the recording to increase duration also lowers the pitch, while speeding it up for a shorter duration respectively raises the pitch, creating the so-called Chipmunk effect. When resampling audio to a notably lower pitch, it may be preferred that the source audio is of a higher sample rate, as slowing down the playback rate will ...
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Slowcore prominently incorporates stylings and traits from indie rock and contemporary folk music. [4] [5] [1] Indie rock is a broad subgenre of rock music that emerged in the 1980s and encapsulates music released independently or through low-budget record labels that typically fails to appeal to mainstream audiences. [6]
After taking a more pop approach to Black and White, the band wished to return to a simpler sound and record an album that they were truly happy with. They began setting up a studio in a rented storefront and called upon T-Bone Burnett (producer of their debut album ) to work with them once again, this time in an executive producer role.
Williams recorded the song at Master Recorders, Hollywood, California, on September 11, 1957. [3] Music journalist Gene Sculatti describes the instrumentation provided by the back-up musicians as "unstoppable, nongimmicky, almost careening out of control with its pounding piano and booting sax, 'Slow Down' is arguably Williams's hippest track". [3]