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Lanna art, late 15th – early 16th centuries. Wat Phra Singh Woramahaviharn Buddha footprint at entrance of the Seema Malaka temple. Buddha's footprints (Sanskrit: Buddhapada) are Buddhist icons shaped like an imprint of Gautama Buddha's foot or both feet. There are two forms: natural, as found in stone or rock, and those made artificially.
Detail wall painting, Ladakh Detail of a wall painting in a Buddhist temple in Ladakh/India. The support for wall paintings is made of earthen plaster, usually consisting of more than one layer of earthen plaster, in which the last layer is rendered as smoothly as possible. The support was covered by a smoothened ground, generally in white.
Larger depictions show the Buddha descending the central one of three ladders or steps, often attended by Indra and Brahma, lords of the Tavatimsa heaven, [116] who may remain at the top of any steps, but in simplified depictions they flank a standing Buddha on either side, at a much smaller scale, sometimes one holding a parasol over the Buddha.
Representations of the five Dhyani Buddhas, who are abstract aspects of Buddhahood rather than Buddhas or gods, have elaborate differences. [6] Each must face in a different direction (north, south, east, west, or center), and, when painted, each is a different color (blue, yellow, red, green, or white).
An ornate butsudan with open doors displaying an enshrined Amida Buddha. A Butsudan in the Jodo Shinshu Buddhism tradition. Close-up view of the inner altar with the painted scroll of the Buddha. A Butsudan (仏壇, lit. "Buddhist altar"), sometimes spelled Butudan, is a shrine commonly found in temples and homes in Japanese Buddhist cultures. [1]
Entering the temple, the main Buddha hall—where ceremonies are held—presents itself immediately. In front of the main hall, there are one or two pagodas and stone lamps. The pagoda represents the Buddha and the teaching, and houses some important symbols—a relic of the Buddha, an important sutra, or other religious artifacts.
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