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Many West African languages have a nasal flap [ɾ̃] (or [n̆]) as an allophone of /ɾ/ before a nasal vowel; voiced retroflex nasal flaps are common intervocalic allophones of /ɳ/ in South Asian languages. A nasal trill [r̃] has been described from some dialects of Romanian, and is posited as an intermediate historical step in rhotacism.
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
A sharp-and-a-half, three-quarter-tone sharp, or sesquisharp raises a note by three quarter tones. Although very uncommon, a triple sharp ( or ♯ ) can sometimes be found. It raises a note by three semitones or a whole tone and semitone .
The extremes of the meantone systems encountered in historical practice are the Pythagorean tuning, where the whole tone corresponds to 9:8, i.e. (3:2) 2 / 2 , the mean of the major third (3:2) 4 / 4 , and the fifth (3:2) is not tempered; and the 1 ⁄ 3-comma meantone, where the fifth is tempered to the extent that three ...
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
Six tone contours are possible for syllables with offglides /j, w/, closed syllables with nasal codas /m, n, ŋ/, and open syllables—i.e., those without consonant codas /p, t, k/. If the syllable is closed with one of the oral stops /p, t, k/ , only two contours are possible: the sắc and the nặng tones.
A nasal voice is a type of speaking voice characterized by speech with a "nasal" quality. [ clarification needed ] It can also occur naturally because of genetic variation. Nasal speech can be divided into hypo-nasal and hyper-nasal.
For the ordinary diatonic scales described here, the T-s are tones and the s-s are semitones which are half, or approximately half the size of the tone.But in the more general regular diatonic tunings, the two steps can be of any relation within the range between T = 171.43 ¢ (for s = T at the high extreme) and T = 240 ¢ (for s = 0 at the low extreme) in musical cents (fifth, p5, between 685 ...