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Medea flying on her chariot, (detail), krater, c. 480 BC Cleveland Museum. Medea returned to Colchis and found that Aeëtes had been deposed by his brother Perses, which prompted her to kill her uncle and restore the kingdom to her father. Herodotus reports another version, in which Medea and her son Medus fled from Athens, on her flying chariot.
Medea sacrifices her children from the roof of her house in order to hurt Jason (982-1025). [6] Medea escapes in a dragon chariot while she throws the bodies of the boys down. Jason ends the play by shouting after her that she should testify that there are no gods in heaven, where she is flying. (1026-1027). [6]
Aegeus hands Theseus a poisoned chalice, but he recognises Theseus's sword and realises the young man must be his son. Just in time, he prevents Theseus from drinking the poison. He agrees to let Theseus marry Aegle. Thwarted, Medea escapes on a flying chariot pulled by dragons, burning down the palace.
The enraged Medea appears on a flying chariot drawn by fire-breathing dragons. Swearing vengeance, she orders the dragons to set the palace on fire, but the goddess Minerva descends from heaven, banishes Medea, and blesses the King, the two pairs of lovers, and Athens. [2] [9]
Creon's men have defeated and captured Medea and Aegeus. In prison, Medea uses her magic powers to summon up demons from the underworld. She kills Creusa with a poisoned robe then stabs her own – and Jason's – children to death, before making her escape in a chariot pulled by flying dragons. In despair, Jason attempts suicide in vain.
Category: Flying chariots. ... Medea (2 C, 12 P) S. Solar chariot (1 C, 6 P) Pages in category "Flying chariots" The following 6 pages are in this category, out of 6 ...
IN FOCUS: It is 100 years since Eric Liddell won gold in the Paris 1924 games, but it was the athlete’s little-known life after the historic win that really intrigued biographer Duncan Hamilton.
Although Jason calls Medea most hateful to gods and men, the fact that the chariot is given to her by Helios indicates that she still has the gods on her side. As Bernard Knox points out, Medea's last scene with concluding appearances parallels that of a number of indisputably divine beings in other plays by Euripides. Just like these gods ...