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Franz Peter Schubert (German: [fʁants ˈpeːtɐ ˈʃuːbɐt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. . Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and ...
Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions.
Schubert Online: "www.schubert-online.at: Schubert music manuscripts, first and early editions online". Vienna: Austrian Academy of Sciences (ÖAW) The LiederNet Archive: Ezust, Emily; et al. (LiederNet contributors). "Composer: Franz Peter Schubert (1797 - 1828)". Ontario: LiederNet Corporation
Franz Schubert (31 January 1797 – 19 November 1828) was an extremely prolific Austrian composer. He composed some 1500 works (or, when collections, cycles and variants are grouped, some thousand compositions).
Schubert Online: "www.schubert-online.at: Schubert music manuscripts, first and early editions online". Vienna: Austrian Academy of Sciences (ÖAW) The LiederNet Archive: Ezust, Emily; et al. (LiederNet contributors). "Composer: Franz Peter Schubert (1797 - 1828)". Ontario: LiederNet Corporation
The following is a list of the complete secular vocal output composed by Franz Schubert (31 January 1797 – 19 November 1828).. It is divided into eleven sections, and attempts to reflect the most current information with regards to Schubert's catalogue.
Franz Schubert (1797–1828) Joseph Franz Karl Lanner (1801–1843) Johann Strauss I (1804–1849) Johann Baptist Krall (1803–1883) Anton Emil Titl (1809–1882)
The piece has a simple A-B-A structure, in keys of C minor – A-flat major – C minor. Johnson call it a “perfectly balanced ternary piece” and continues: “the 6/8 meter arpeggiation of the main theme is the sort of thing that Beethoven might indeed have spun.” [4] David Truslove describes: “Momentum in the outer panels is twice interrupted by the arrival of two disquieting chords ...