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By an act of parliament, the British Museum Act 1816, the collection was transferred to the British Museum on the condition that it be kept together and named "the Elgin Marbles". [12] The term "Parthenon Marbles" or "Parthenon Sculptures" refers to the sculptures and architectural features removed specifically from the Parthenon. [2]
The Elgin Marbles were created between 447 and 432 B.C. as architectural decor for the Parthenon—the temple of the Greek goddess Athena—on the Acropolis in Athens.
The Elgin Marbles (Parthenon Sculptures) ... The British Museum states it “takes its commitment to be a world museum seriously”, adding: “The collection is a unique resource to explore the ...
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Imperial Spoils: The Curious Case of the Elgin Marbles is a 1987 book by Christopher Hitchens on the controversy surrounding the removal by Thomas Bruce, 7th Earl of Elgin of the Parthenon's sculptured friezes (which became known as the Elgin Marbles), and his subsequent sale of the Marbles to the British Museum.
The Elgin Marbles is a 2006 book by American archaeologist Dorothy King about the 5th century BCE Classical Greek marble sculptures known as the Elgin Marbles.. The book is credited by The Sunday Times with "reigniting" the controversy over possession of the Elgin marbles by defending the right of the British Museum in London to retain them in the face of demands by the government of Greece ...
The Greek prime minister has pushed for the return of the marbles, saying the current situation is like the Mona Lisa painting being cut in half.
The Parthenon had 46 outer columns and 23 inner columns in total, each column having 20 flutes. (A flute is the concave shaft carved into the column form.) The roof was covered with large overlapping marble tiles known as imbrices and tegulae. [66] [67] The Parthenon is regarded as the finest example of Greek architecture.