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Sensus plenior is a Latin phrase that means "fuller sense" or "fuller meaning". [1] [2] It is used in Biblical exegesis to describe the supposed deeper meaning intended by God but not by the human author. Walter C. Kaiser notes that the term was coined by F. Andre Fernandez in 1927 but was popularized by Raymond E. Brown. [3] Brown defines ...
Sensus fidei (sense of the faith), also called sensus fidelium (sense of the faithful) is, according to the Catechism of the Catholic Church, "the supernatural appreciation of faith on the part of the whole people, when, from the bishops to the last of the faithful, they manifest a universal consent in matters of faith and morals."
For instance, the feminine form of el soldado 'the (male) soldier' is la soldado 'the (female) soldier', with only the gender of the article (el/la) distinguishing them in this case. For nouns of this class with the masculine form ending in -or , -ón , -ín , -és , and -án , the feminine form adds an -a .
Inflection of the Scottish Gaelic lexeme for 'dog', which is cù for singular, chù for dual with the number dà ('two'), and coin for plural. In linguistic morphology, inflection (less commonly, inflexion) is a process of word formation [1] in which a word is modified to express different grammatical categories such as tense, case, voice, aspect, person, number, gender, mood, animacy, and ...
In linguistics, declension (verb: to decline) is the changing of the form of a word, generally to express its syntactic function in the sentence, by way of some inflection. Declensions may apply to nouns , pronouns , adjectives , adverbs , and determiners .
Latin declension is the set of patterns according to which Latin words are declined—that is, have their endings altered to show grammatical case, number and gender.Nouns, pronouns, and adjectives are declined (verbs are conjugated), and a given pattern is called a declension.
Deus ex machina in Euripides' Medea, performed in 2009 in Syracuse, Italy; the sun god sends a golden chariot to rescue Medea.. Deus ex machina (/ ˌ d eɪ ə s ɛ k s ˈ m æ k ɪ n ə, ˈ m ɑː k-/ DAY-əs ex-MA(H)K-in-ə, [1] Latin: [ˈdɛ.ʊs ɛks ˈmaːkʰɪnaː]; plural: dei ex machina; 'God from the machine') [2] [3] is a plot device whereby a seemingly unsolvable problem in a story is ...
Ayer vio mi madre a mi amigo y le preguntó por su libro or Ayer vio a mi amigo mi madre y le preguntó por su libro = "Yesterday, my mother saw my friend and asked him about his book" In many dependent clauses, the verb is placed before the subject (and thus often VSO or VOS) to avoid placing the verb in final position: