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During the 1950s European popular music give way to the influence of American forms of music including jazz, swing and traditional pop, mediated through film and records. The significant change of the mid-1950s was the impact of American rock and roll , which provided a new model for performance and recording, based on a youth market.
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Popular music, or "classic pop," dominated the charts for the first half of the 1950s.Vocal-driven classic pop replaced Big Band/Swing at the end of World War II, although it often used orchestras to back the vocalists. 1940s style Crooners vied with a new generation of big voiced singers, many drawing on Italian bel canto traditions.
<noinclude>[[Category:Classical music templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
Jay & The Americans; The Ames Brothers [1]; The Andrews Sisters; Dave Appell & the Applejacks; Harold Melvin & the Blue Notes; The Bell Notes; Bill Haley & His Comets
"Music, Maestro, Please" – Frankie Laine "Music! Music! Music!" – Teresa Brewer "My Foolish Heart, recorded by Billy Eckstine; Gordon Jenkins "My Heart Cries For You" – Guy Mitchell "Nevertheless" – The Mills Brothers "No Other Love" – Jo Stafford "The Old Piano Roll Blues" Al Jolson & The Andrews Sisters "Patricia" – Perry Como
B. Baby, Baby, Baby (Teresa Brewer song) Bad, Bad Whiskey; Baião Ca-Room' Pa Pa; Be My Love; The Best Thing for You (Would Be Me) Beyond the Sunset (song)
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
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