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Bolero in the danzón: the advent of lyrics in the danzón to produce the danzonete. The bolero-son: long-time favourite dance music in Cuba, captured abroad under the misnomer 'rumba'. The bolero-mambo in which slow and beautiful lyrics were added to the sophisticated big-band arrangements of the mambo.
Seguidillas boleras, or simply boleras, is a palo (style) of flamenco music based on the seguidilla poetic form and the Spanish dance known as bolero. [1] It is considered a member of the cante chico family of palos. [2] The term "boleras" was popularized around 1812–13 to designate female dancers who performed boleros.
Julián Arcas wrote several bolero pieces for guitar and greatly influenced both the bolero form and guitar playing in the context of classical music. [5] Louis James Alfred Lefébure-Wély wrote Boléro de Concert for organ in 1865. Hervé wrote a bolero for his operetta Chilpéric in 1868, which was immortalized in painting by Toulouse-Lautrec.
When describing popular music artists, honorific nicknames are used, most often in the media or by fans, to indicate the significance of an artist, and are often religious, familial, or most frequently royal and aristocratic titles, used metaphorically.
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Bolero (Spanish dance), a 3 4 dance that originated in Spain in the late 18th century; Boléro, an 1834 piano work; Boléro, a 1928 orchestral work by Maurice Ravel, commissioned by the dancer Ida Rubinstein, on which various performances have been based, including:
The Latin or romantic ballad has its origin in the Latin American bolero in the 1950s (Lucho Gatica, Leo Marini), but also in the romantic song in Italian (Domenico Modugno) and French (Charles Aznavour, George Mustaki) in the 1960s and 1970s. In Mexico, the ballad recorded as such is "Sonata de Amor" (Sonata of Love) of Mario Álvarez in 1961.
That is why Ravel's Bolero is the one piece of classical music that is commonly known and liked by them." [ 28 ] In a 2011 article for The Cambridge Quarterly , Michael Lanford wrote, "throughout his life, Maurice Ravel was captivated by the act of creation outlined in Edgar Allan Poe 's Philosophy of Composition ."