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The painting depicts Saint Jerome, a Doctor of the Church in Roman Catholicism and a popular subject for painting, even for Caravaggio, who produced other paintings of Jerome in Meditation and engaged in writing. In this image, Jerome is reading intently, an outstretched arm resting with quill. It has been suggested that Jerome is depicted in ...
Saint Jerome Writing is a painting by the Italian master Michelangelo Merisi da Caravaggio in 1607 or 1608, housed in the Oratory of St John's Co-Cathedral, Valletta, Malta. It can be compared with Caravaggio's earlier version of the same subject in the Borghese Gallery in Rome .
Saint Jerome Writing, by Caravaggio, 1607, at St John's Co-Cathedral, Valletta, Malta. Jerome was a scholar at a time when being a scholar implied a fluency in Greek. He knew some Hebrew when he started his translation project, but moved to Jerusalem to strengthen his grip on Jewish scripture commentary.
Saint Jerome Writing: Valletta, St. John's Co-Cathedral: 117 × 157 cm Oil on canvas: 1607: Ecce Homo: Madrid, Museo del Prado: 111 × 86 cm Oil on canvas: 1608: Portrait of Alof de Wignacourt and his Page: Paris, Musée du Louvre: 195 × 134 cm Oil on canvas: 1608: Portrait of Fra Antonio Martelli: Florence, Pitti Palace: 118.5 × 95.5 cm Oil ...
The book Saint Jerome is reading represents knowledge. The books surrounding him refer to his translation of the Bible into Latin. The lion in the shadows to the right of the saint is from a story about Saint Jerome pulling a thorn out of a lion's paw. In gratitude, the lion follows Saint Jerome around for the rest of his life, like a house cat.
A page from an early 9th-century copy of the Martyrologium Hieronymianum made at the Abbey of Lorsch. The Martyrologium Hieronymianum (meaning "martyrology of Jerome") or Martyrologium sancti Hieronymi (meaning "martyrology of Saint Jerome") is an ancient martyrology or list of Christian martyrs in calendar order, one of the most used and influential of the Middle Ages.
We do not know who was the first to put in motion this unscientifically-based tradition about Jerome's authorship of the Glagolitic script and translation of the Holy Scripture, but in 1248 this version came to the knowledge of Pope Innocent IV. <...> The belief in Jerome as an inventor of the Glagolitic lasted many centuries, not only in his ...
The painting shows an uncommon subject, with the Virgin holding the Child who writes on a book, an allusion to his intervention in the Holy Books. On the right is Saint Jerome, recognizable by his cardinal dress, leaving a book on the marble throne where the Madonna sits: in this case this is one of his traditional attributes of knowledge.