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3 Prepositions and other words used to form compound words. ... good • better • best bonbon ... affiant, affidavit, confidant, confidante, confide, confidence, ...
The confidant (/ ˈ k ɒ n f ɪ d æ n t / or / ˌ k ɒ n f ɪ ˈ d ɑː n t /; feminine: confidante, same pronunciation) is a character in a story whom a protagonist confides in and trusts. . Confidants may be other principal characters, characters who command trust by virtue of their position such as doctors or other authority figures, or anonymous confidants with no separate role in the n
Because ancient Greek drama involved only three actors (the protagonist, deuteragonist, and tritagonist) plus the chorus, each actor often played several parts.For instance, in Sophocles' Oedipus Rex, the protagonist would be Oedipus, who is on stage in most acts, the deuteragonist would be Jocasta (Oedipus' mother and wife), and the tritagonist would play the Shepherd and Messenger.
A confidant is a character in a story in whom the protagonist confides. It may also refer to: The Confidant, a Hong Kong TV series; Confidant from the Batlló House, a piece of furniture
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Consigliere (/ ˌ k ɒ n s ɪ l i ˈ ɛər i / KON-sil-ee-AIR-ee, [1] Italian: [konsiʎˈʎɛːre]; plural consiglieri) is a position within the leadership structure of the Sicilian, Calabrian, and Italian-American Mafia.
Antonina (Greek: Ἀντωνίνα, c. 484 or 495 – after 565) was a Byzantine patrician and wife of the general Belisarius.. San Vitale basilica, Byzantine mosaic depicting Empress Theodora (6th century) flanked by a chaplain and a court lady believed to be her confidante Antonina, wife of general Belisarius
Thomas Gisborne [63] acknowledges that all too often a “good marriage”, in a woman's mind, consists only of having enough money to make other women jealous, dressing richly and being able to go and enjoy the pleasures of London or Bath, while Mary Russell Mitford [note 14] [103] observes that most young girls have only been accustomed to ...