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Om Jai Jagdish Hare (Hindi: ॐ जय जगदीश हरे) is a Hindu religious song written by Shardha Ram Phillauri. [1] It is a Hindi -language composition dedicated to the deity Vishnu , popularly sung during the ritual of arti .
The most commonly sung arti is that which is dedicated to all deities called Om Jai Jagdish Hare, known as "the universal arti". Other arti's are used for other deities as well such as Om Jai Shiv omkara, Om Jai Lakshmi mata, Om Jai Ambe gauri, Om Jai Adya Shakti, Om Jai Saraswati Mata, Om Jai Gange Mata, Om Jai Tulsi Mata and Om Jai Surya ...
Jai Hanumaan(1973 film) Narayan Datta Asha Bhosle & Mahendra Kapoor: Hindi: Basant (raga) Basant Hai Aayaa Rangeela Stree (1961 film) C. Ramchandra: Asha Bhosle & Mahendra Kapoor: Hindi: Basant (raga) Ketaki Gulab Juhi Champaka Bana Phule Basant Bahar (film) Shankar–Jaikishan: Bhimsen Joshi: Hindi: Basant (raga) (Blend of Shuddha Vasant ...
"Jai Jai Laxmi Maata" Anil–Arun B. D. Mishra solo "Bhagwan Samaye Sansar Mein" Mukesh "Hota Hain Anyay Yahaan" Mahendra Kapoor Jaaneman "Aayegi Aayegi Aayegi, Kisi Ko Hamari Yaad Aayegi" (version 2) Laxmikant–Pyarelal Anand Bakshi solo "Siyavar Ramchandra Ki Jai" Vinod Sharma, Anand Kunar C., Manna Dey Kalicharan "Ek Batta Do, Do Batte Chaar"
The Lakshmi Purana is an Odia text written in the 15th century by Balarama Dasa, a major poet of Odia literature. [1] Despite its name, it is not one of the eighteen major Puranas of Hinduism , [ 2 ] having been written in the medieval era as a piece of regional literature that discusses gender and social norms.
The Hare Krishna mantra is composed of three Sanskrit names: Hare, Krishna, and Rama.It is a poetic stanza in anuṣṭubh meter (a quatrain of four lines (pāda) of eight syllables with certain syllable lengths for some of the syllables).
Devotees regard each of the Ashta Lakshmi to represent an attribute of Lakshmi, gaining the favour of the goddess with the chanting of each stanza of the prayer. The eight aspects of Lakshmi that are venerated by the mantra are: [4] [5] [6] Adi Lakshmi (lit. ' primeval Lakshmi ') Dhanya Lakshmi (lit. ' grain Lakshmi ') Dhairya Lakshmi (lit.
It was the wife of Vijay Sharma, the director of Jai Santoshi Maa, who urged her husband to "spread the goddess's message". [ 3 ] [ 4 ] As her film brought her to life, Santoshi Ma quickly became one of the most important and widely worshiped goddesses in India, taking her place in poster-art form in the altar rooms of millions of Hindu homes.