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Whereas Titian hair is a brownish shade of red hair, auburn hair is a brownish shade of hair encompassing the actual color red. Most definitions of Titian hair describe it as a brownish-orange color, [5] but some describe it as being reddish. [6] This is in reference to red hair itself, not the color red.
Tiziano Vecellio (Italian: [titˈtsjaːno veˈtʃɛlljo]; c.1488/90[ 1 ] – 27 August 1576), [ 2 ] Latinized as Titianus, hence known in English as Titian (/ ˈtɪʃən / ⓘ TISH-ən), was an Italian Renaissance painter, [ a ] the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. [ 4 ]
It is often conflated in popular usage with Titian hair. Whereas Titian hair is a brownish shade of red hair, auburn hair is specifically defined as including the actual color red. Most definitions of Titian hair describe it as a brownish-orange color, [1] [2] but some describe it as being reddish. [3] This is in reference to red hair itself ...
Red hair ranges from light strawberry blond shades to titian, copper, and completely red. Red hair has the highest amounts of pheomelanin, around 67%, and usually low levels of eumelanin. At 1–2% of the west Eurasian population, it is the least common hair color in the world. It is most prominently found in the British Isles and in Udmurtia ...
Year. c. 1515 [1] Medium. oil on canvas. Dimensions. 99 cm × 76 cm (39 in × 30 in) Location. Musée du Louvre, Paris. Woman with a Mirror (French: La Femme au miroir) is a painting by Titian, dated to c. 1515 and now in the Musée du Louvre, in Paris.
La Bella. La Bella is a portrait of a woman by Titian in the Palazzo Pitti in Florence. The painting shows the subject with the ideal proportions for Renaissance women. [ 1] In parallel the stringent composition corresponds to Titian's real portraits. The work can be dated by a letter about "that portrait of that woman in a blue dress" in May 1536.
The Death of Actaeon. The Death of Actaeon is a late work by the Italian Renaissance painter Titian, painted in oil on canvas from about 1559 to his death in 1576 and now in the National Gallery in London. It is very probably one of the two paintings the artist stated he had started and hopes to finish (one of which he calls " Actaeon mauled by ...
Danaë, 1544–1546. The original version in Naples, 120 cm × 172 cm. National Museum of Capodimonte [1] The Wellington Collection (London) version, now agreed to be the one sent to Philip II of Spain. Before restoration. Here, an aged maid has replaced Cupid, while the cloth covering Danaë's upper thigh is absent, leaving her naked.