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  2. Slash chord - Wikipedia

    en.wikipedia.org/wiki/Slash_chord

    D/F ♯ (alternately notated D major/F ♯ bass) notated in regular notation (on top) and tabulature (below) for a six-string guitar. Play ⓘ.. In music, especially modern popular music, a slash chord or slashed chord, also compound chord, is a chord whose bass note or inversion is indicated by the addition of a slash and the letter of the bass note after the root note letter.

  3. Stradella bass system - Wikipedia

    en.wikipedia.org/wiki/Stradella_bass_system

    96-button Stradella bass layout on an accordion. C is in the middle of the root note row. The Stradella Bass System (sometimes called [1] standard bass) is a buttonboard layout equipped on the bass side of many accordions, which uses columns of buttons arranged in a circle of fifths; this places the principal major chords of a key (I, IV and V) in three adjacent columns.

  4. Nashville Number System - Wikipedia

    en.wikipedia.org/wiki/Nashville_Number_System

    The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1] It resembles the Roman numeral [2] and figured bass systems ...

  5. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music. It is intended primarily for a rhythm section (usually consisting of piano, guitar, drums and bass).

  6. Royal road progression - Wikipedia

    en.wikipedia.org/wiki/Royal_road_progression

    IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...

  7. Accordion - Wikipedia

    en.wikipedia.org/wiki/Accordion

    Various free-bass systems for greater access to playing melodies and complex basslines on the left-hand keyboard and to forming one's own chords note-by-note. These are often chosen for playing jazz and classical music. Some models can convert between free-bass and Stradella bass; this is called converter bass. The free-bass left hand notes are ...

  8. Bass note - Wikipedia

    en.wikipedia.org/wiki/Bass_note

    The bass note is the root or fundamental of the chord. The chord is in root position. One of the other pitches of the chord is in the bass. This makes it an inverted chord. The bass note is not one of the notes in the chord. Such a bass note is an additional note, coloring the chord above it. Such a chord is also called a slash chord.

  9. Accordion reed ranks and switches - Wikipedia

    en.wikipedia.org/wiki/Accordion_reed_ranks_and...

    How many reeds an accordion has is specified by the number of treble ranks and bass ranks. For example, a 4/5 accordion has four reeds on the treble side and five on the bass side. A 3/4 accordion has three reeds on the treble sides and four on the bass side. Reed ranks are classified by either organ 'foot-length' stops or instrument names ...

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