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  2. Kodály method - Wikipedia

    en.wikipedia.org/wiki/Kodály_Method

    American String Teachers. Association. v. t. e. The Kodály method, also referred to as the Kodály concept, is an approach to music education developed in Hungary during the mid-twentieth century by Zoltán Kodály. His philosophy of education served as inspiration for the method, which was then developed over a number of years by his associates.

  3. Solmization - Wikipedia

    en.wikipedia.org/wiki/Solmization

    Solmization. Solmization is a mnemonic system in which a distinct syllable is attributed to each note of a musical scale. Various forms of solmization are in use and have been used throughout the world, but solfège is the most common convention in countries of Western culture.

  4. Solfège - Wikipedia

    en.wikipedia.org/wiki/Solfège

    Italian "solfeggio" and English/French "solfège" derive from the names of two of the syllables used: sol and fa.[2] [3]The generic term "solmization", referring to any system of denoting pitches of a musical scale by syllables, including those used in India and Japan as well as solfège, comes from French solmisation, from the Latin solfège syllables sol and mi.

  5. Tonic sol-fa - Wikipedia

    en.wikipedia.org/wiki/Tonic_sol-fa

    Tonic sol-fa. Tonic sol-fa (or tonic sol-fah) is a pedagogical technique for teaching sight-singing, invented by Sarah Ann Glover (1785–1867) of Norwich, England and popularised by John Curwen, who adapted it from a number of earlier musical systems. It uses a system of musical notation based on movable do solfège, whereby every note is ...

  6. Guidonian hand - Wikipedia

    en.wikipedia.org/wiki/Guidonian_hand

    Guidonian hand. The Guidonian hand was a mnemonic device used to assist singers in learning to sight-sing. Some form of the device may have been used by Guido of Arezzo, a medieval music theorist who wrote a number of treatises, including one instructing singers in sightreading. The hand occurs in some manuscripts before Guido's time as a tool ...

  7. Musical notation - Wikipedia

    en.wikipedia.org/wiki/Musical_notation

    With exception of vú and zō they do roughly correspond to Western solmization syllables as re, mi, fa, sol, la, si, do. Byzantine music uses the eight natural, non-tempered scales whose elements were identified by Ēkhoi , "sounds", exclusively, and therefore the absolute pitch of each note may slightly vary each time, depending on the ...

  8. Musical cryptogram - Wikipedia

    en.wikipedia.org/wiki/Musical_cryptogram

    A musical cryptogram is a cryptogrammatic sequence of musical symbols which can be taken to refer to an extra-musical text by some 'logical' relationship, usually between note names and letters. The most common and best known examples result from composers using musically translated versions of their own or their friends' names (or initials) as ...

  9. Non-lexical vocables in music - Wikipedia

    en.wikipedia.org/wiki/Non-lexical_vocables_in_music

    Canntaireachd is an ancient Scottish practice of noting music with a combination of definite syllables for ease of recollection and transmission. In India, the origin of solmization was to be found in Vedic texts like the Upanishads, which discuss a musical system of seven notes, realized ultimately in what is known as sargam.

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