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A typical 1940s–early 1950s black and white real photo postcard. A real photo postcard ( RPPC) is a continuous-tone photographic image printed on postcard stock. The term recognizes a distinction between the real photo process and the lithographic or offset printing processes employed in the manufacture of most postcard images.
Early in its introduction, the cabinet card ushered in the temporary disuse of the photographic album which had come into existence commercially with the carte de visite. Photographers began employing artists to retouch photographs by altering the negative before making the print to hide facial defects revealed by the new format.
The digitized image is stored as a computer file ready for further digital processing, viewing, electronic publishing, or digital printing. It is a form of digital imaging based on gathering visible light (or for scientific instruments, light in various ranges of the electromagnetic spectrum ).
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A professional photographer may be an employee, for example of a newspaper, or may contract to cover a particular planned event such as a wedding or graduation, or to illustrate an advertisement. Others, like fine art photographers, are freelancers, first making an image and then licensing or making printed copies of it for sale or display.
The carte de visite ( French: [kaʁt də vizit], English: ' visiting card ', abbr. 'CdV', pl. cartes de visite) was a format of small photograph which was patented in Paris by photographer André Adolphe Eugène Disdéri in 1854, although first used by Louis Dodero . Each photograph was the size of a visiting card, and such photograph cards, in ...
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