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Some then close the septet of Hail Marys with a brief invocation to Our Lady of Sorrows (Commonly: "Sorrowful and Immaculate Heart of Mary pray for us"), or a Glory Be. The next sorrow is then announced, and carried out in the same manner until all seven have been meditated upon.
The sanctuary of the basilica looking towards the Sorrowful Mysteries. The nave is surrounded by fifteen smaller side chapels, one for each of the traditional Mysteries of the Rosary. On the left of the nave are found the Joyful Mysteries; in the centre behind the sanctuary are the Sorrowful Mysteries, and to the right are the Glorious Mysteries.
As Mater Dolorosa, it is also a key subject for Marian art in the Catholic Church. The Seven Sorrows of Mary are a popular religious theme and a Catholic devotion. In common imagery, the Virgin Mary is portrayed sorrowful and in tears, with one or seven swords piercing her heart, iconography based on the prophecy of Simeon in Luke 2:34–35.
Catholic tradition places the Flagellation on the site of the Church of the Flagellation (the second station of the Via Dolorosa in Jerusalem. It is the second Sorrowful Mystery of the Rosary and the sixth station of the John Paul II's Scriptural Way of the Cross.
The Rosary [1] (/ ˈ r oʊ z ər i /; Latin: rosarium, in the sense of "crown of roses" or "garland of roses"), [2] formally known as the Psalter of Jesus and Mary [3] [4] (Latin: Psalterium Jesu et Mariae), also known as the Dominican Rosary [5] [6] (as distinct from other forms of rosary such as the Franciscan Crown, Bridgettine Rosary, Rosary of the Holy Wounds, etc.), refers to a set of ...
The fourth method incorporates a small reflection for each bead, usually associated with the mystery of the decade. [6] The fifth method focuses its reflections on the rosary itself: its power, history, and prayers; in what manner it ought to be said (slowly and calmly, etc.); and objections towards praying the rosary to beware of, such as ...
And truly, from the frequent meditation on the Mysteries, the soul little by little and imperceptibly draws and absorbs the virtues they contain, and is wondrously enkindled with a longing for things immortal, and becomes strongly and easily impelled to follow the path which Christ Himself and His Mother have followed.
In Agony in the Garden, Jesus prays in the garden after the Last Supper while the disciples sleep and Judas leads the mob, by Andrea Mantegna c. 1460.. In Roman Catholic tradition, the Agony in the Garden is the first Sorrowful Mystery of the Rosary [8] and the First Station of the Scriptural Way of the Cross (second station in the Philippine version).
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