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As an example, ṛ, i, u are basic (zero-grade) vowels, with corresponding guṇa (full-grade) vowels ar, e, o and vṛddhi (lengthened-grade) vowels ār, ai, au. (This is more understandable once it is realized that, at an earlier stage of development, Sanskrit e and o were ai and au , and Sanskrit ai and au were āi and āu .)
' Rama's worship of Shakti ') is a poem in Hindi by Suryakant Tripathi 'Nirala'. It was published in 1937 in the second edition of Nirala's poetry collection Anamika . This long poem consists of 312 lines composed in Nirala's tailored poetic meter , Shakti Puja - a rhyming meter of twenty-four syllables.
Three Hundred Rāmāyaṇas is a scholarly essay that summarizes the history of the Rāmāyaṇa and its spread across India and Asia over a period of 2,500 years or more. . It seeks to demonstrate factually how the story of Rama has undergone numerous variations while being transmitted across different languages, societies, geographical regions, religions, and historical perio
Hindu cosmology is the description of the universe and its states of matter, cycles within time, physical structure, and effects on living entities according to Hindu texts.
In this play Rama's sons Lava and Kusha fight with army of Rama who protect horse of Ashwamedha. only Three mss of this play survived. It is very rare play because only four play are based on uttara-ramayana. Chalita-Rama based on Rama's later life written in 9th century. In this play surpanakha planned plot and sita exiled But today we not ...
On being asked to prove his devotion to Rama, Hanuman tears his chest open and to everyone's surprise, there is an image of Rama and Sita inside his chest. Rama rules Ayodhya and the reign is called Rama-Rajya (a place where the common folk are happy, fulfilled, and satisfied). Then Valmiki trained Lava and Kusha in archery and succeeded to the ...
[6] [5]: 168 But it is far from clear how similar any version of the text known today is to what this figure might have composed in the fifteenth century; the text underwent various changes at the hands of various puthi scribes, who tended to add more material to the text, [7]: 146 and nineteenth-century pandits were also influential in ...
The text is in two parts, the early part called Rama purva Tapaniya Upanishad and the later part called Rama uttara Tapaniya Upanishad, which together with Ramarahasya Upanishad are Vaishnava Upanishads devoted to the Hindu god Rama. [5] [6] [7] The text presents Rama as equivalent to the Atman (soul, self) and the Brahman (Ultimate Reality ...