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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Atlases published nowadays are quite different from those published in the 16th–19th centuries. Unlike today, most atlases were not bound and ready for the customer to buy, but their possible components were shelved separately. The client could select the contents to their liking, and have the maps coloured/gilded or not. The atlas was then ...
Atlases at DavidRumsey.com includes many important atlases from the 18th-20th centuries Charting North America , maps and atlases in the New York Public Library Digital Collection Ryhiner Collection Composite atlas with maps, plans and views from the 16th-18th centuries, covering the globe, with about 16,000 images in total.
The ancient Greeks have used the word ethos (ἔθος or ἦθος), in this context best rendered by "character" (in the sense of patterns of being and behaviour, but not necessarily with "moral" implications), to describe the ways music can convey, foster, and even generate emotional or mental states. Beyond this general description, there ...
The process of interpreting musical notation is often referred to as reading music. Distinct methods of notation have been invented throughout history by various cultures. Much information about ancient music notation is fragmentary. Even in the same time frames, different styles of music and different cultures use different music notation methods.
Musicologists associated with the new musicology often use musical analysis (traditional or not) along with or to support their examinations of the performance practice and social situations in which music is produced and that produce music, and vice versa. Insights from the social considerations may then yield insight into analysis methods.
Musica universalis—which had existed as a metaphysical concept since the time of the Greeks—was often taught in quadrivium, [8] and this intriguing connection between music and astronomy stimulated the imagination of Johannes Kepler as he devoted much of his time after publishing the Mysterium Cosmographicum (Mystery of the Cosmos), looking over tables and trying to fit the data to what he ...
When music on two staves is joined by a brace, or is intended to be played at once by a single performer (usually a keyboard instrument or harp), a grand staff (American English) or great stave (British English) is created. [dubious – discuss] Typically, the upper staff uses a treble clef and the lower staff has a bass clef.