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The songs were written by Tulus, except "Baru", written by Tulus and Ferry Nurhayat. Gajah was listed to entering for Top 9 Indonesian Album by Indonesian Tempo magazine. The album won two awards (Best of the Best Album and Best Pop Album) at the 2015 Anugerah Musik Indonesia . [ 2 ]
Ari Renaldi is an Indonesian music producer, composer, arranger, sound and mixing engineer, music director and musician. His production credits include Mocca, Tulus, Vidi Aldiano, Raisa Andriana, Afgan, Yura Yunita, Sezairi Sezali, Maudy Ayunda, Rossa, Ungu, Juicy Luicy, Yovie & Nuno amongst many others.
Tulus released a new theme song in support of this campaign. Tulus composed a single, entitled "Lekas", which was used on the soundtrack for the Indonesian movie, 3 Nafas Likas (2014). In mid 2015, Tulus created a song with Ran, an Indonesian music group, for that will be used in an ad campaign for Listerine.
"Gugur Bunga di Taman Bakti" (The Fallen Flower in the Garden of Devotion), better known as "Gugur Bunga", is an Indonesian patriotic song written by Ismail Marzuki in 1945. Written to honor the Indonesian soldiers killed during the Indonesian National Revolution , it tells of the death of a soldier, and the singer's feelings.
Bunga Citra Lestari (born 22 March 1983), often referred to by her initial BCL, is an Indonesian singer, actress, talent show judge, and television personality of Minangkabau descent. Lestari, Julie Bishop and Ashraf Sinclair
Yang kupuja sepanjang masa Tanah airku aman dan makmur Pulau kelapa yang amat subur Pulau melati, pujaan bangsa Sejak dulu kala. Melambai-lambai nyiur di pantai Berbisik-bisik raja kelana Memuja pulau yang indah permai Tanah airku, Indonesia! My homeland Indonesia The beautiful country that I loved most The glorious blood-spilled land of mine
"Perajurit Tanah Air" ("Soldiers of the Motherland"), also known by its incipit "Inilah Barisan Kita" ("Here We Are Standing United"), is a Malaysian patriotic song ...
Bill Monroe's 1941 and 1952 recordings, both under the title "In the Pines", were highly influential on later bluegrass and country versions.Recorded with his Bluegrass Boys and featuring fiddles and yodelling, they represent the "longest train" variant of the song, and omit any reference to a decapitation.