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The culture of the Democratic Republic of the Congo is extremely varied, reflecting the great diversity and different customs which exist in the country. Congolese culture combines the influence of tradition to the region, but also combines influences from abroad which arrived during the era of colonization and continue to have a strong influence, without destroying the individuality of many ...
The culture of the Republic of the Congo is rich, diverse and made up of a mix of about 4.5 million people in 2015 and many languages and customs. Half of Congolese people follow traditional beliefs, and there are 15 principle Bantu groups and more than 70 subgroups. The other half are 35% Roman Catholic, 15% other Christian and 2% Muslim. The ...
The Kuba Kingdom flourished between the 17th and 19th centuries in the region bordered by the Sankuru, Lulua, and Kasai rivers in the heart of the modern-day Democratic Republic of the Congo. The Kuba Kingdom was a conglomerate of several smaller Bushong-speaking principalities as well as the Kete, Coofa , Mbeengi , and the Kasai Twa Pygmies .
Works about the Democratic Republic of the Congo (4 C, 2 P) Pages in category "Culture of the Democratic Republic of the Congo" The following 13 pages are in this category, out of 13 total.
[26] [27] [28] The river was known as Zaire during the 16th and 17th centuries; Congo seems to have replaced Zaire gradually in English usage during the 18th century, and Congo is the preferred English name in 19th-century literature, although references to Zaire as the name used by the natives (i.e., derived from Portuguese usage) remained ...
The earliest inhabitants of the region comprising present-day Congo were the Forest peoples whose Stone Age culture was slowly replaced by Bantu tribes. The main Bantu tribe living in the region were the Kongo, also known as Bakongo, who established mostly unstable kingdoms along the mouth, north and south, of the Congo River.
The Beembe (also Bembe, Babembe, Babeembe) are a Bantu people living in southern Congo-Brazzaville, precisely in Bouenza and in the cities of Brazzaville, Dolisie, and Pointe-Noire. It is a Kongo subgroup. The Beembe have some similar customs to the Kongo, which is what makes them a subgroup, but their art is what separates them apart.
[10] [11] This is in part because the Luba people were an entirely oral tradition culture where knowledge and records were held verbally without the use of a script. The orthography for the Luba language, called kiLuba , was invented in the 19th century; thus, early information about the Luba Empire has been derived from foreign documents.