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Nietzsche found in classical Athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. Originally educated as a philologist, Nietzsche discusses the history of the tragic form and introduces an intellectual dichotomy between the Dionysian and the Apollonian (very loosely: reality as disordered and undifferentiated by forms versus reality as ...
The Complete Works of Friedrich Nietzsche, Volume 15. Translation: Paul S. Loeb and David F. Tinsley (Stanford, California: Stanford University Press, 2022). Hardcover ISBN 978-0-8047-2888-1. Paperback ISBN 978-1-5036-2970-7; Unpublished Fragments (Spring 1885-Spring 1886). The Complete Works of Friedrich Nietzsche, Volume 16.
Cover of the first edition of "Vom Nutzen und Nachtheil der Historie für das Leben" (the second essay of the work), 1874. Untimely Meditations (German: Unzeitgemässe Betrachtungen), also translated as Unfashionable Observations [1] and Thoughts Out of Season, [2] consists of four works by the philosopher Friedrich Nietzsche, started in 1873 and completed in 1876.
The limitations of the ukulele causes the orchestra to think creatively about how to cover a musical piece, popular tunes are broken down to their constituent parts and then with each musician sticking a distinct part, the combination of different soprano, tenor, baritone and bass registers of ukuleles are used (with separate members playing ...
In 1884, Nietzsche wrote to his friend Peter Gast: "This time, 'music' will reach you. I want to have a song made that could also be performed in public in order to seduce people to my philosophy." With this request, Gast reworked Lebensgebetl into Friendship, and orchestrated it. [1]
According to one of Nietzsche's most prominent English translators, Walter Kaufmann, the book offers "Nietzsche's own interpretation of his development, his works, and his significance." [ 1 ] The book contains several chapters with self-laudatory titles, such as "Why I Am So Wise", "Why I Am So Clever", "Why I Write Such Good Books" and "Why I ...
Also sprach Zarathustra, Op. 30 (German: [ˈalzo ʃpʁaːx t͡saʁaˈtʊstʁa] ⓘ, Thus Spoke Zarathustra or Thus Spake Zarathustra) [1] is a tone poem by German composer Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's 1883–1885 philosophical work of the same name. [2]
The one lives off the other, the one thrives at the expense of the other. All great cultural epochs are epochs of political decline: that which is great in the cultural sense has been unpolitical, even anti-political. [18] Nietzsche also attributes this decline in the German intellect to problems he saw in higher education in his day.
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