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Timaeus (/ t aɪ ˈ m iː ə s /; Ancient Greek: Τίμαιος, romanized: Timaios, pronounced [tǐːmai̯os]) is one of Plato's dialogues, mostly in the form of long monologues given by Critias and Timaeus, written c. 360 BC.
Timaeus of Locri (pronunciation in modern English / t aɪ ˈ m iː ə s /; Ancient Greek: Τίμαιος ὁ Λοκρός, romanized: Tímaios ho Lokrós; Latin: Timaeus Locrus) is a character in two of Plato's dialogues, Timaeus and Critias. In both, he appears as a philosopher of the Pythagorean school.
Plato makes reference to great floods in several of his dialogues, including Timaeus, Critias, and Laws.In Timaeus (22) and in Critias (111–112) he describes the "great deluge of all", specifying the one survived by Deucalion and Pyrrha, as having been preceded by 9,000 years of history before the time of Solon, during the 10th millennium BCE.
Plato advocates a belief in the immortality of the soul, and several dialogues end with long speeches imagining the afterlife. In the Timaeus, Socrates locates the parts of the soul within the human body: Reason is located in the head, spirit in the top third of the torso, and the appetite in the middle third of the torso, down to the navel ...
Plato described the universe as a living being in his dialogue Timaeus (30b–d): . Thus, then, in accordance with the likely account, we must declare that this Cosmos has verily come into existence as a Living Creature endowed with soul and reason [...] a Living Creature, one and visible, containing within itself all the living creatures which are by nature akin to itself.
The ultimate source for much of Bernardus' allegory is the account of creation in Plato's Timaeus, as transmitted in the incomplete Latin translation, with lengthy commentary, by Calcidius. This was the only work of Plato's that was widely known in western Europe during the Middle Ages, and it was central to the renewed interest in natural ...
Critias (/ ˈ k r ɪ t i ə s /; Greek: Κριτίας), one of Plato's late dialogues, recounts the story of the mighty island kingdom Atlantis and its attempt to conquer Athens, which failed due to the ordered society of the Athenians. Critias is the second of a projected trilogy of dialogues, preceded by Timaeus and followed by Hermocrates. [1]
Calcidius' translation of Plato's original Greek dialogue covers the sections 17a – 53c, i.e. from the Introduction where Critias discusses the story of Solon's journey to Egypt where he hears the tale of Atlantis, up to the discussion of the 'Receptacle' and the Divine Creator's use of four of the five regular solids (fire, earth, air and water) in the shaping of the Universe.