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High fire ceramic with traditional designs at the Museo Regional de la Ceramica, Tlaquepaque.. Ceramics of Jalisco, Mexico has a history that extends far back in the pre Hispanic period, but modern production is the result of techniques introduced by the Spanish during the colonial period and the introduction of high-fire production in the 1950s and 1960s by Jorge Wilmot and Ken Edwards.
It typically has a painted design of small, formalized flowers made up of round dot petals painted in white slip on the natural red of the clay, then fired with a clear glaze. The flowers may be limited to a band or applied lavishly over the entire piece. The latter is frequently done with casseroles and flower pots.
Tiles are a subset of ceramic pottery and were used extensively in colonial-era Mexico. These tiles were first fired at a low temperature, then hand-painted with intricate designs, then fired at a high temperature to set the glaze. These are still made, but most decorative tiles used in Mexico are factory-made. [30]
In this house on Mexico’s Pacific Coast, an outdoor kitchen features open shelves and backsplash clad in Portuguese tiles, an Allia sink from Rohl, and handmade Mexican glassware.
The most traditional of this pottery dates from the colonial period. Bandera is named for the red and white, sometimes with green painted decorative motifs, the colors of the Mexican flag. It is a speciality of Tonalá. Canelo is named for its cinnamon color. It is porous and often used for water jugs as it keeps liquids cool.
Many of the façades in the historic center of Puebla are decorated with these tiles. [9] [20] These tiles are called azulejos and can be found on fountains, patios, the façades of homes, churches and other buildings, forming an important part of Puebla's Baroque architecture. [21] This use of azulejos attested to the family's or church's wealth.
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