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Kiowa ledger art drawing possibly depicting the Buffalo Wallow battle in 1874, a fight between Southern Plains Indians and the U.S. Army during the Red River War.. Ledger art is narrative drawing or painting on paper or cloth, predominantly practiced by Plains Indian, but also from the Plateau and Great Basin.
Jeffery Gibson, a sculptor with American Indian heritage, told art historian Shannon Vittoria, "I saw [End of the Trail] as an image of a shamed, defeated Indian. It always made me feel badly about myself, and I wondered if this was this really how the rest of the world viewed us, as failures. It seemed to be an image about defeat and despair." [1]
Carl Sweezy was born in 1881 near the Darlington Agency on the Cheyenne and Arapaho Indian Reservation in Indian Territory. His Arapaho name was Wó’oteen (new Arapaho orthography; old spelling - Wattan), meaning "Black." Sweezy's father was Hinan Ba Seth, meaning "Big Man." [1] His tribe still hunted buffalo when he was a child. [3]
The saintie is used as a parrying weapon. It is a versatile weapon with both defensive and offensive function. The shaft, with its ribbed or ringed design, could be used like a staff to deflect hostile blows. The spear point was thickened to allow an offensive thrust to penetrate the enemy's thick clothing or armor. [1]
United States Army Indian Scouts and trackers had served the US government since the Civil War. During the Indian Wars, the Pawnee people, the Crow people and the Tonkawa people allied with the American cavalry against their old rivals the Apache and Sioux. [32] Sgt. I-See-O of the Kiowa people was still in active service during the World War I ...
Čhetáŋ Sápa (Black Hawk) [tʃʰɛtə̃ sapa] (c. 1832 – c. 1890) was a medicine man and member of the Sans Arc or Itázipčho band of the Lakota people. [1] He is most known for a series of 76 drawings that were later bound into a ledger book that depicts scenes of Lakota life and rituals.
Art historian Dawn Ades writes, "Far from being inferior, or purely decorative, crafts like textiles or ceramics, have always had the possibility of being the bearers of vital knowledge, beliefs and myths." [51] Recognizable art markets between Natives and non-Natives emerged upon contact, but the 1820–1840s were a highly prolific time.
The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." [1] This does not include non-Native American artists using Native American themes. Additions to the list need to reference a ...