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The Magical Negro is a supporting stock character in fiction who, by means of special insight or powers often of a supernatural or quasi-mystical nature, helps the white protagonist get out of trouble.
In fiction, Adamant is referred to in the film Forbidden Planet (as "adamantine steel"), many books (such as The Adventures of Tom Sawyer, The Faerie Queene, Gulliver's Travels, His Dark Materials, The Lord of the Rings, Mathilda by Mary Shelley, and A Midsummer Night's Dream) and many games (such as Dungeons & Dragons, Final Fantasy and ...
Dark lord figures are characterized by aspirations to power and identification with some fundamental force of evil or chaos, such as a devil or antichrist figure. [1] The Encyclopedia of Fantasy notes that common features of a dark lord character include being "already defeated but not destroyed aeons before" and engaging in "wounding of the land" or other rituals of desecration.
A Koala in book five that the party rescued from cannibals. He is a fortune teller, predicting using runes, though sometimes his predictions may not be completely correct. He has an accent similar to John Wayne. Cautious. A raccoon from book six, who comes from a Cajun-style tribe of animals.
Dictionnaire Infernal illustration of Bael The sigil of Bael. Bael (Ba’al or Baal) is a demon described in demonological grimoires such as The Lesser Key of Solomon and the Pseudomonarchia Daemonum (where he is the first spirit mentioned) and also in the Dictionnaire Infernal.
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The Jesuit John L. Treloar writes that the Book of Revelation personifies evil in the Four Horsemen of the Apocalypse: the first, on a white horse, represents a conquering king; the second, red with a sword, means bloody war; the third, black and carrying a scale balance, means famine; and the last, green, is named death.
The name of the Dweller in the Abyss is Choronzon, but he is not really an individual. The Abyss is empty of being; it is filled with all possible forms, each equally inane, each therefore evil in the only true sense of the word—that is, meaningless but malignant, in so far as it craves to become real.